Upright Vs Grand Piano 2020: Top Full Review, Guide

Upright Vs Grand Piano

Should I purchase a grand or a vertical piano? The solution depends on your distance, budget, and enjoying level and can also be a consideration for many. The magnitude of a piano is probably the one most crucial aspect that determines the timbre and volume. The bigger the piano, the more the strings, which translates to the higher resonance of tone. This grows more evident in the bass part of this piano.

As a piano reduces in proportion, it is full timbre and volume will also change. An upright piano could be more straightforward than a grand, but in the ideal area, it’ll fill a space with all the audio you need. If you are wondering about getting one-up them, keep reading Fidlar’s post about Should I purchase an Upright Vs Grand Piano? you will know which should choose?

Upright Vs Grand Piano History

The narrative of the piano starts 300 decades before, in Padua, Italy, in 1709. It had been invented by Bartolomeo di Francesco Cristofori (1655-1731).

The main reason behind the evolution is simple: before the piano, we had this tool called the Harpsichord. The problem with this Harpsichord? Just one dynamic volume can be performed at one moment.

Upright Vs Grand Piano History

The strings are plucked, rather than cold, once the participant presses the keys. No matter how hard or soft the secret of this Harpsichord is struck, it jerks the series precisely the identical amount of force. The only real way to modify the Harpsichord volume would be to perform fewer or more notes.

The piano doesn’t pluck the series. The piano strikes on the series with a hammer once the player moves down the secret. Based on the way the key on the piano is struck by the participant: how rigid, quick, gentle, slow, etc., changes the way the hammer subsequently hits the series, which consequently changes the quantity and audio quality. This mechanism is referred to as the Action.


Before we get any farther, please take a moment to acknowledge just how incredibly hot this modern-day Kawai grand piano actions are. The hardware is black with golden screws! How cool is that! Keep that picture in mind since we’ll first go over the upright piano actions.

The vertical piano’s activity sits vertically, in addition to the strings.

The keys break, are long, and if a key is pressed, it lifts on the flip side just like a seesaw.

This subsequently moves a whole lot of components that later moves the hammer forward, striking the series.

The damper lifts as well; however, the drag isn’t in this picture.

When the key is released, the hammer resets with springs’ assistance, and the damper resets.

The grand piano activity rests horizontally, in addition to the strings.

After the key is pressed down, it lifts the opposite end, moving many different components, very similar to an upright, but the hammer goes vertically to attack the series.

This provides more control of dynamics, color, speed, and general force.

The damper lifts as well.

After the key is released, the hammer and damper reset and fall thanks to gravity.

A grand piano doesn’t have a spring that should be flashed, and consequently, it can be performed at almost any distance. An upright piano essential must develop a specific space to reset the spring until you’re in a position to strike the same key. Suppose we choose a top-quality grand and a premium excellent vertical and perform precisely the identical number of hours on each device. In that case, the chances are the vertical will require these springs replaced while the expansive proceeds to flow with gravity.


Audio is the reason why we play audio. If the sound is not great, we’ll wonder our playing. Many pianists have the right touch, but when the tool is not in great form and tuned, it is likely to become a painful experience.

If your house has limited square footage, then you could be asking yourself, “nicely does not sound require room to journey?” It is correct, the sound does require room to journey, but if you stick a 9-foot concert grand at a storage room and place an upright in the same area, the 9 ft will nonetheless be a much more pleasing aural experience.

In reality, I used to practice in a storage room with a Steinway D, and you know what? I LOVED IT. Why? Since the noise was unbelievably powerful. The tough hitting is sustaining bass, which you can feel in your bones, the overtones yelling in mind, and quite a pleasant odor in the timber were an overall quite strong experience.

A typical piano includes 230 strings; their pressure is maintained about the pin block, along with the sound, reflects off a piece of timber known as the soundboard. The dimensions of this piano will choose the size of the soundboard and series length. The bigger the piano, the larger the soundboard. This necessitates longer strings that will lead to more quantity, resonance, and sustain. To put it differently, the larger the size, the more noise you’ve got.

The most significant upright still has a string length of a few inches shorter than the smallest grand pianos power span. However, numerous items may impact noise, and these are a few critical areas to test out when buying a piano.

Factors Which May Affect The Noise Of Your Piano:

Dust on the strings

Yes, believe it, or dust plays a significant element in a piano sound. A good deal of problems could be solved by taking away the dust in your strings, dampers, and soundboards.

An upright piano is not likely to require dust as frequently as a grand. Unless, of course, you exercise with the cover of the lid open, and it stays open, or when you opt to remove the entire front cover exposing the strings and Action.

A grand piano will collect dust considerably faster and require dust rather frequently, twice or once a month. Unless, of course, you maintain the piano fully closed indefinitely, but I do not know anybody who retains their grand piano shut.

It is effortless to dust a piano also does not require over 5 minutes. If you despise the notion of having to wipe your device, then definitely purchase an upright.


Have a look at the hammers when you’re in the market for a piano. If you’re having trouble controlling your pianissimo, or when the tone seems dull, there is a fantastic possibility the hammers have deep grooves which have to be registered, and dust elimination!


When the hammers are around, and there’s little to no dust onto a piano, and it sounds dull or quite bright and hard-hitting, then you’ve got one of two choices. Either the piano demands a severe pruning that has a fantastic technician, or the hammers have to be voiced.


I shared with you which I used to practice to a Concert Grand, at a storage cupboard, and I adored it. The fact is, most folks can not manage a Concert Grand, and even if you could, there is no reason to purchase one, unless of course, you’re fascinated with that much noise on the mind.

Irrespective of the distance, I shall always suggest a grand over a vertical for a better experience. I get frustrated using uprights. For me, the sole reason for the clinic on a vertical is in case: A) It is the only alternative available or B) only to receive my notes heard.

Grand pianos begin as little as 4′ 11″; these will also be called the”baby grand,” which will require just 6-1/2′ x 5′ of distance. That is pretty doable for many people. If you genuinely do not have sufficient space to get a grand, or if you do not need you, buying an upright may be a terrific investment too.

If it comes to uprights, I would advise purchasing quality and the most significant size you can spend. This way, you won’t need to buy a different one. An excellent piano may persist for a lifetime and then some if you continue on maintenance. I’ve played vertical pianos back into the 19th century, and they still play reasonably well!

An awful excellent vertical will annoy after a brief time due to cheap components, especially an inexpensive activity, a lack of projection at the noise, and many technicians will bill more to operate on the piano than the value of this instrument. You will inevitably wish to purchase a new one. To put it differently, you will still wind up depositing the money eventually if you chose to’save money,’ or worse, then you might quit.


The pedals on a vertical and grand piano serve the Exact Same function, but in Various manners:

Damper Pedal: 

This pedal, all of the way to the right, lifts the dampers, allowing the strings to maintain the notes performed before the dampers are put down to the lines or until the notes die outside.

The sole difference between a vertical and grand for this pedal would be to an elegant, the dampers elevator downwards, on an erect that they lift.

Sostenuto Pedal: 

Here is the pedal in the middle.

Perform a note or notes, and then holding the note/notes, press back on the sostenuto pedal.

The sostenuto pedal retains just this notice or notes and permits you to play freely and launch the rest of the notes on the piano.

You may also use the sostenuto pedal along with the damper pedal collectively. I love to think about the pedal for a stationary, flip side.

There’s not any gap between an upright or grand piano concerning purpose with this pedal. But, I’ve noticed that the sostenuto isn’t as firm in holding the particular note/notes within an upright piano.

It’s more common for different notes to bleed in the audio on uprights. This problem might be on account of the sostenuto pedal requiring maintenance. I suggest checking this out pedal when buying.

Una Corda Pedal: 

Here is the pedal to the left side.

This pedal has distinct purposes in an upright versus grand.

The purpose of this Una Corda will be to alter the color and also to soften the noise. Many people will refer to the pedal because of the soft pedal, even though I believe this is a premature announcement.

On a grand piano, the Una Corda alters the whole activity to the best. This motion results in the hammers just hit two strings rather than three. Yes, this may soften the noise; however, if you employ a bit more tension after participating in the Una Corda, it is possible to match the noise as though it was not engaged.

The difference then is, in reality, a shift in color and personality. That is the reason why I do not want to refer to it because of the soft pedal.

In a vertical piano, the Una Corda works much otherwise. Bear in mind; an upright piano hammers strike, therefore pressing that the Una Corda moves the hammers closer to the strings, then shortening the space, which restricts the speed. Additionally, it alters the sense of the action.

If this pedal is pressed on an upright, it’s simpler to play quicker because of the shorter distance. The expression”soft pedal” is much more appropriate when speaking about an erect.

Differences Between Upright Pianos And Grand Pianos

Within a vertical piano, the strings are lined vertically to make the device more streamlined, making it possible for the piano to be performed in a restricted space. By comparison, the grand piano keeps the form of the first pianoforte where the strings are strung horizontally and contain a larger possibility of expression.

Differences Between Upright Pianos And Grand Pianos

Differences in the activity

There’s a substantial gap between the mechanisms of the action of a grand piano and an upright piano.

Grand piano

Horizontal. Since the hammers return to their rest position under their weight, repeat, where the notes are replicated quickly like if playing trills, is eloquent (key repetition as soon as approximately 14 times per minute is possible).

Upright piano

Vertical. Hammers rely on springs to come back to the at-rest position, so there’s a limitation to repeat quickly; for example, can be employed when playing trills (key repeat as soon as approximately seven days per minute is possible).

Differences from the pedals

The pedals have various roles in a grand piano and an upright piano.

Grand piano

  • Shift pedal (left pedal): Also referred to as the soft pedal or una corda pedal. Shifts the whole action meeting to the proper, altering the noise volume and making instant adjustments to the tone.
  • Sostenuto pedal (mid pedal): Keeps the dampers increased and off in the strings of almost any keys performed only before depressing the pedal. This makes it feasible to sustain the chosen notes.
  • Sustain pedal (right pedal): Also referred to as the damper pedal. Dampers stay lifted even if the palms are removed from the keys, then sustaining all played notes.

Upright piano

  • Soft pedal (left pedal): If this pedal is pressed, each hammer is moved closer to the strings, reducing the noise volume.
  • Muffler pedal (middle pedal): Also referred to as the clinic pedal. A thin piece of felt is dropped between the hammers and strings, greatly muting the sound.
  • Sustain pedal (right pedal): Also referred to as the damper pedal. Dampers stay lifted even if the palms are removed from the keys, then sustaining all played notes.

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