A whole lot of individuals appear to believe you must fork out tens of thousands of bucks to experience an excellent set of headphones.
Do not be duped by the purchase price! While it might be accurate in certain instances (or even for bonus features and superior audio quality), it is not always crucial across the board.
In this Sony mdr-v6 Inspection, you will realize why this set of headphones has existed for so long, and it’s still a reliable option that will not break your budget.
The MDR V6 promises to provide a consistent, reliable, and durable sound experience. Fidlar will show all you want to understand, from the fundamental features to the pros/cons, what/where they will fit into your music setup and our final decision in Sony Mdr V6 Reviews.
Table of Contents
Sony Mdr V6 Review
- 40 mm neodymium-magnet drivers
- Circumaural (aka Over-ear), closed-back build design
- Wired connectivity
- Great for at-home, personal, or mixing/recording
- Features a well-balanced sound profile
- Includes 10 foot coiled cable (with 3.5 mm plug) + 1.4″ adapter
- Fully-replaceable ear cups (after general wear and tear)
- Impedance: 63 Ohms
- Frequency Response: 5 Hz – 30 kHz
- Dimensions: 4.25 x 3.87 x 8.62 inches
- Weight: 0.66 lbs.
- Ultra Lightweight, Comfortable Build Design
- Even-keeled But Warm Sound Profile
- Includes A 10 ft. Coiled Cable That’s Great For Extra Freedom of Movement
- Works Well With Portable Headphone Amps
- Compact Folding Design for Better Portability
- Uncomfortable With Glasses
- Headphone Cable is Non-detachable
- No Built-In Microphone
Design And Features
Most new cans are packed with impressively big cardboard boxes, using thick flaps and snazzy product pictures emblazoned on each surface.
The Sony mdrv6 comes at a light gold-toned box, using the headset visible through a window, cradled in a bed of glowing crimson lace cloth. If it looks like a throwback to the 1980s, it is because that is precisely what it is.
The MDR-V6 weighs 8 oz, which is marginally lighter than ordinary to get a full-size headset. It is a mainly plastic design but feels rather rugged.
The outer ear cups have alloy, it’s 40mm drivers, a 63-ohm rated impedance, along with the headset features user-replaceable ear pads (fresh ones sell for $9.99 a couple ).
The headband and racetrack-shaped pads are not as densely padded as people on lots of new headphones we’ve tested, but relaxation is above average.
Stretched out to the max, the coiled cable is approximately 10 feet long, and it is permanently attached to the left ear cup.
The extra-long cable lacks any mic or telephone controllers, so the MDR-V6 might not be excellent to be used with mobiles or mobile music players.
The cable is terminated with a nicely-finished 3.5millimeter plug; a screw-on 6.3millimeter adapter plug is included for use with home or pro gear.
The MDR-V6 collapses to a little package, and the hinges appear relatively durable. I like the “L” and “R” markings are color-coded and easy to see in dim light. A no-frills black plastic carrying bag is also included.
Initially introduced in the 1980s as the entry-level version in Sony’s professional track lineup, the V6 has aged very well. In a sentence, they genuinely don’t make them like that anymore.
The housings of the V6 are marginally more low-profile compared to many of the Studio sets, along the elastic headband enables the Sonys to fall into a portable package.
Contrary to the favorite DJ-style headphones out of Audio-Technica, Denon, Ultrasone, along with many others, the MDR-V6 lacks hinge pivots and isn’t flat-folding.
The housings are aluminum, and the 10′-long coiled cable may take a great deal of abuse instead. Tales of V6s withstanding near-constant misuse for 10, 15, or even 20 years with just the pads warranting occasional replacement abound.
Balance. That is my most generous one-word description of that, which causes the MDR-V6 so unique. It does everything well: that the bass-midrange-treble equilibrium is smooth and pleasant.
The sound is broad, and it’s easy to listen to for hours at a time. Isolation from the environmental sound is adequate, and nobody closes; you may hear much noise coming from these cans.
I compared the MDR-V6 with the other Sony, the 299 MDR-R1. This one has more bass, but it is a milder, less comprehensive, and mellower sounding headset, and that I favored that the MDR-V6’s clarity.
The MDR-R1 looks nicer, has a more elegant feel, and it is more comfortable. However, I would rather hear the MDR-V6.
Next up, the 199 Audio Technica ATH M50, yet another popular and well-regarded full-size, over-the-ear headset that does not cost a lot. The M50 is not easy to beat, and also the MDR-V6 set up a fantastic battle.
The M50 had more bass oomph. However, the MDR-V6’s definition and clarity at the low frequencies were only a little bit better. From the midrange pianos, guitars, and vocals, the M50 had more body, but the MDR-V6 appeared more transparent.
The M50 has significantly fewer forwards, which I enjoy. I discovered that the MDR-V6’s high-frequencies brighter (more forwards ), but not so bright they became bothersome.
I discovered the broad soundstage from Brian Eno’s ambient classic “Music for Films” CD was striking on both cans, but once I added it up, I gave the nod to the M50 because of its richer noise better relaxation. But, it is almost two times as pricey as the MDR-V6.
Assessing the MDR-V6 together with the Sony, was intriguing. The two headphones seem nearly identical and seem comparable, with a couple of essential differences.
First, the sony MDR v6 headphones produce a bit more bass, but the MDR-7506 is thinner, and its treble range is accentuated. The MDR-V6 seems more laid-back and mellow, although the MDR-7506 is crisper and livelier. I would select the MDR-V6, but others might favor the MDR-7506.
For the past comparison, I donned my previous funding favorite audiophile headset, the Noontec Zoro, that seemed lean and constricted beside the MDR-V6. Sony’s additional brawn let it rock harder than the Zeros.
No sub-$100 headset within my expertise may get with the MDR-V6’s sound quality.
Mdr v6 vs Mdr 7506: https://homestudiobasics.com/sony-mdr-v6-vs-mdr-7506-subtle-differences/
The MDR-V6 has managed to preserve its prevalence among audio professionals and budget-minded audiophiles because the headphones figure out how to maintain excellent fidelity throughout the range and never actually seem lean or dull.
The basis for one surpassed my expectations. Rather than attempting to be level and flat, the V6 adds a significant bit of power and punch to the shallow end, making detail and feel very prominent even in mobile software.
The lows are somewhat thick and have a tendency to linger just a bit next to the faster, crisper-sounding ZX700; although the very low end might be a little wider, the V6 is usually quite pleasant to follow.
Extension and thickness are quite good also, handily beating out the more significant and pricier ZX700. The sub-bass answer is particularly remarkable, providing many accurate and controlled low-end rumble when called on by the monitor.
The midrange is a bit more recessed at the base end and may sound somewhat dark on account of the cans’ moderate bass accent.
On the other hand, the treble is very prominent and can win out in terms of tonal coloration, which makes the V6 sound entirely unbiased with a too slight predisposition towards coolness overall.
Next into the thicker low finish, the midrange of this V6 is slightly lean-sounding alongside the balanced MDR-ZX700. Detail and clarity in the midrange and treble are rather good;
However, although the recessed lower mids begin sounding reasonably smooth, the Sonys do get a bit grainy towards the upper midrange.
The decrease treble is hyped up but generally causes neither harshness nor sibilance in substantial amounts.
Much like the Senn HD25, the treble accent of this V6 provides the noise a little a fantastic quality, which may manifest as a metallic tinge’, although this is less noticeable with all the Sonys than the Sennheisers.
Top-end expansion is adequate but not exceptional, as is your soundstage. The Sonys have great separation and can discern very modest detail onto a track, but in regards to putting each the tiny details in the sonic distance, they get overwhelmed with more readily subtle to similarly-time. Still, in or even the less costly PX200-II.
Along with the comparatively forward overall audio, the poor positioning leaves somewhat to be desired alongside a number of the additional similarly-priced studio cans in addition to Sony’s very own MDR-ZX700.
I really don’t believe that they sound especially congested but the superb layering of this HD25 just is not there, which makes the V6 seemed-in’.
Part of this problem stems from the low dynamic range, making headphones somewhat indiscriminate concerning sonic cues’ relative emphasis.
For the asking price, but I believe I am somewhat nit-picky together with the Sonys. On the whole, they’re quite revealing and surprisingly fun headphones that work equally for casual listening and studio software.
I’ve read complaints of harshness and listening exhaustion. Still, following a few 5-6 hour sessions using the Sonys, I must mention they are, if anything, more relaxing than my HD25s over prolonged listening.
Of course, it must proceed without mentioning that the soft-and-smooth Phiaton MS400 or even Sony’s very own ZX700 will make far better comfort headphones than a set of studio monitors.
Regardless of its age, the MDR-V6 is, in fact, a headset that does very little wrong for your asking cost. It’s well-built, comfy, and isolating, sufficient to compete with the best modern’ studio and DJ cans.
Concerning portability, the V6 loses out to purpose-built miniature cans. Still, it fares much better than the ATH-M50 or even Ultrasone HFI-450 apart from the coiled cord, which I do not like for mobile use (a straight cable is a lot more manageable using a cable tie or 2 ).
The classic sound signature also succeeds, handling to be somewhat accurate without seeming to lean or sterile. People who get annoyed by a slightly exaggerated treble response will probably wish to pick a more balanced pair.
Still, I don’t have any bone to pick with the Sonys’ general audio quality for the asking price.
For the casual gamer, these are a fantastic entry-level pair of headphones. They are very similarly-sounding and costly into the Sony MDR7506, which has created themselves within an industry-standard headset. Even when you’re more experienced (or consider yourself an audiophile), all these are an indispensable addition to your collection.
Fidlar hopes that our Sony MDR V6 review provided you all of the info you want to make your final choice. None of us prefer to be duped by low or higher cost tags and biased reviews. Though our prejudice is challenging to set apart today, you have all of the details and features.
Last update on 2021-03-02 / Affiliate links / Images from Amazon Product Advertising API