After Leo Fender introduced the Telecaster in 1950, he would barely have envisioned precisely how many variations of his own company might twist this simple solid-body platform, and of course, the amount of other fantastic builders from Chihoe Hahn into Rick Kellywho’d utilize the Tele since the cornerstone of their very own layouts.
There is no lack of mid-priced and high-end T-styles nowadays, but offers as economical as the Slick SL50that’s approximately 240 dollars street may be hit or miss.
The SL50, however, delivers the merchandise to be a good competitor in the domain of cheap T-style guitars. Keep reading Fidlar’s post to see our Slick Guitar Reviews.
Slick Guitar Reviews
- Color / Finish: Butterscotch Blonde
- Technology: Solid Body
- Body Shape: Tele Shape
- Strings: 6 string
- Neck Construction: Bolt-on neck
- Frets: 22
- Scale Length: 25,5″ (648 mm)
- Body Material: Swamp Ash
- Neck: Maple
- Fretboard: Jatoba
- Fretboard Inlays: Dot inlays
- Pickup Configuration: S-S (2x Single Coil)
- Neck Pickup: SLP121 Fullerton Neck
- Bridge Pickup: SL119 Fullerton Lead
- Pickup Selector Switch: 3-way toggle
- Controls: 1x volume
- Bridge / Tremolo: Wraparound
- Hardware: Gold
- Solid-wood construction.
- Quality hardware and electronics yield an impressive array of tones.
- Poor factory setup.
- Craftsmanship could be better overall.
- No tone control.
As soon as I eliminated the SL50 out of its comprised hardshell case (checkered just like a pair of Vans sneakers and a very excellent addition to this package), I was delighted to feel just how light it’s: 6 lbs, 15 oz.
Regardless of the problematic installment and fretwork, the satin-finished neck has a comfy C-shaped profile, together with a 43 mm (roughly 1.69″) nut and 11″ fretboard radius.
On top of that, the SL50’s Slick guitars-designed electronic equipment overcompensate for its craftsmanship shortcomings.
The SL119 Fullerton (bridge) and SLP121 Fullerton (neck) pickups are created out of vintage-correct substances: sand-cast Alnico 5 pole magnets and Formvar cable.
The bridge pickup is overwound into 9.4K along with also the neck into 5.6K. Much like the entire body of this guitar, they have received a distressing therapy, with oxidation around the cover of their neck pickup and rust onto the bridge unit’s exposed pole pieces.
Plugged into a Fender Blues Junior, the SL50 appeared fantastic. Having a clean tone, the bridge pickup delivered the bright, clear sound that created the Telecaster the strand of selection to get country-and-western players.
The subdued neck pickup seems warm and buttery. The two pickups are apparent and show a good deal of picking detail.
The volume knob’s smooth taper, something that you do not often see in cheap instruments fantastic for pedal-steel-type consequences.
Given how fine the pickups and quantity bud texture, you begin to overlook the tone, which might help extract jazzier sounds out of the neck pickup. And regrettably, employing a technician to perform this mod may set you back up to the guitar itself.
The SL50 pairs well with distortion, also. Its neck pickup is a lot aggressive for leads and rhythms and keeps a good deal of clarity in overdriven settings.
The bridge pickup, meanwhile, makes overdriven leads sing. The equal balance, which makes it seem significant with distortion, makes it ideal for alternative tunings with many pops and octaves.
Despite several problems with its setup and finish, and fit, the Slick SL50 is a perfect Telecaster-style guitar that provides classic T-style tones and much more competitive sounds too.
Last update on 2021-03-02 / Affiliate links / Images from Amazon Product Advertising API