If you have watched a YouTuber in any location in the past couple of decades, you have probably seen them with a Rode mic attached to your camera. Still, the organization makes considerably greater than vlogger mics.
Among the most well-known products is that the Rode NT1-A can be a comparatively inexpensive condenser mic perfect for anybody building a house studio or even a professional one. It premiered in 2003 and is still going strong, so what makes it so attractive? Keep reading Fidlar’s post to see our Rode Nt1A Reviews.
Table of Contents
Rode NT1A Review
- Acoustic Principle: Pressure Gradient
- Active Electronics: JFET impedance converter with bipolar output buffer
- Capsule: 1.00″
- Polar Pattern: Cardioid
- Address Type: Side
- Frequency Range: 20Hz – 20kHz
- Output Impedance: 100Ω
- Maximum SPL: 137dB SPL (@ 1kHz, 1% THD into 1KΩ load)
- Maximum Output Level: 13.7mV
- Sensitivity: -31.9dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
- Equivalent Noise Level (A-weighted): 5dB-A
- Power Options: 24V phantom power, 48V phantom power
- Weight: 326.00gm
- Dimensions: 190.00mmH x 50.00mmW x 50.00mmD
- Output: XLR Output
- Great price; one of the more affordable entry-level condenser microphones complete with a shock mount, pop filter, and cables
- Bright recordings; this presence bump makes it an excellent microphone for acoustic guitars
- Neutral response and doesn’t add much color which makes recordings easy to EQ
- Also a great microphone for vocals as the brightness can make your vocals stand out
- Not a USB microphone needs an audio interface with preamps to work
- Could potentially be too bright of a microphone for people with high pitched or extremely bassy voices
- Presence bump could make vocal recordings too sibilant
- Large diaphragm 1” gold-sputtered capsule
- Cardioid polar pattern
- Ultra low noise, self noise of only 5dB (A)
- Includes RØDE SM6 shock mount, pop filter and dust cover
- Internal capsule shock mounting
What Is The Mic Built?
As far as build quality goes, the Rode NT1-A is exceptionally well-built and sleekly designed. It’s a stainless steel construction, which feels hard, but I would caution against moving or drops it around as much as the character of being a dedicated condenser mic makes it simpler to split than something similar to the Shure SM58.
It measures 190mm x 50mm x 50mm; therefore, it is not the most mobile mike, although you can eliminate pitching it in a tote.
The further about spec is the fact that it weighs 326g, which is not light. I have experienced this for approximately five decades now, and it’d finally ruined the locking mechanism on three different mounts and tripods because of its weight.
I have been receiving the least expensive ones I could find on Amazon, and thus don’t make my mistake and put money into a significant amount. The base is your XLR input at the microphone, while the top features gold plated capsule supporting a metal grille.
Dark and unmarked
The Rode NT1 microphone includes a slick, fuss-free, and clean layout with no buttons for bass roll a pad. It’s completed in a dark shade of gray.
The machined aluminum body is nickel-plated to withstand corrosion, even though a military-grade ceramic coating creates the entire finish resistant to scratches or marks.
The rigid, protective design extends into the black outer mesh basket, even though a little gold inlay provides a clear sign about which aspect of the microphone you need to aim the audio source.
Rode’s SMR shock bracket is contained in the bundle. It features a unique double-Lyre suspension system where the next Lyre functions as a tensioning component so that every Lyre is held at the best place for canceling vibration.
The rode NT1 kit is sharp and detailed for vocals, with Lots of hot low-end body at the combination and nothing absent or dangling out from the midrange.
The mic sits in the shock bracket and can be held in place with a screw collar in its base. Angled modification of the entire setup concerning a mic stand is readily carried out through a lever that does not need much strain to hold everything securely in place.
High Sensitivity And Reduced Self-Noise
The microphone has a very low self-noise of all 5dB-A, making it among the quietest large-diaphragm condensers in the marketplace. The sensitivity is -31.9dB re 1 Volt/Pascal.
The mic’s high sensitivity and low noise make it perfect for shooting silent sources. The measurements are 190mm H x 50mm W x 50mm D, and it weighs in at 326gm, which makes it reasonably average so much as big diaphragm condensers go.
The microphone may be conducted on 48V phantom power or 24V phantom power and contains a gold-plated XLR output. It’s a satin-finished, nickel-plated human anatomy along with the capsule is protected with means of a stainless-steel grill.
Buyers can expect a conventional one-year warranty with the choice of a free expansion. Rode provides a 10-year guarantee upon registration.
The Rode NT1A has internal capsule shock mounting and boats using a Rode SM6 shock mount, pop filter, and cloth dust cap. Buyers finest maintain the box or purchase a situation if they wish to protect their investment.
A Rode 20′ mic cable is also included, and it is a useful addition for individuals beginning a home studio setup. There is also a Rode condenser mic instructional DVD included in the bundle, which provides a rundown of the features and accessories in addition to a few studio hints.
Rode Produces Bright, Current Sound.
The Rode NT1 microphones include a bright sound and produce comprehensive outcomes. The microphone has a peak of approximately 12 kHz, and there’s a lift into the shallow end at approximately 120Hz.
The outcome is that the microphone will flatter resources without being too colored. It produces very detailed highs and does not detract from your lows either, developing a balanced noise.
The microphone is ideal for vocals and acoustic devices. Acoustic guitars seem very much at home on the microphone, and the shallow self-noise level brings it to this program.
The SPL evaluation means it can manage electric guitars too. The Rode’s answer makes it reproduce clean sounds rather well, though it’s no slouch with overdriven guitars.
Who Is it For?
Anyone updating from a USB mic. Although it isn’t affordable, the Rode NT1 mic is likewise not prohibitively costly. It is within reach of most individuals seeking to make their first good investment into a mike.
Whether you are recording yourself to get a podcast or reserving studio time together with singers, this microphone has got the work done.
Somebody who has access to ghost power. If you presently have a voice recorder or sound port that may provide phantom power into a mic, you won’t have any problem working with it.
Individuals in studios. This mic is not the type you’ll see the regional newscaster with while out and about. The Rode NT1-A does not mean to maneuver much, making it ideal for getting a studio setting.
The Rode NT1A is a best-seller for a motive. Everything out of its cardioid recording routine and horizontal reaction to its high sensitivity and very low self-noise makes it an ideal choice for a quiet studio.
Compare this to something a bit more versatile such as the Shure SM58, which can be much more of a rocky all-around microphone people can take out from the area in addition to the studio.
That is not true. This can be a tool intended for studio recording. Whether that is in a professional sense or merely in your house, it will get a lot.
Last update on 2020-12-21 / Affiliate links / Images from Amazon Product Advertising API