PreSonus has been famous for its mixers, audio ports, and track controls, but surprisingly monitors haven’t been on its roster. That is all changed today as the Louisiana-based firm introduced two distinct, brand new studio monitor ranges in the NAMM show.
One of these was the Sceptre, a high-tech offering that combines a design layout with heavy-duty DSP. The Eris is an entry-level powered screen for home and project studios, available in two variations, both the E8 and the more compact E5. In this Presonus Eris E8 Review, Fidlar will show you complete details about this monitor.
Table of Contents
PreSonus Eris E8 Reviews
- Driver: 8″ Woofer, 1.25″ Silk Dome Tweeter
- Amplifier: 75W LF, 65W HF
- Inputs: 1 x XLR, 1 x 1/4″ TRS
- Frequency response: 35 Hz – 22 kHz
- Crossover Frequency: 2.2 kHz
- Enclosure: Ported
- Controls: Volume Range, MF Control, HF Control, Low Cut, Acoustic Space
- Dimensions: 15.12″ x 9.84” x 11.77”
- Weight: 22.2 lbs
- Lots of quantity available
- Good bass reproduction
- Tone-shaping controls.
- Lots of competitions offer a similar product and a few at a lower cost.
- 8-inch Kevlar low-frequency transducer and 1.25-inch (32 mm), ultra-low-mass, silk-dome, high-frequency transducer
- 140 watt, Class AB amplification; 105 dB maximum continuous SPL
- Front-firing acoustic port for superior bass-frequency reproduction; Optimized, resonance-suppressing internal bracing
- Midrange (+/-6 dB, continuously variable), HF (+/-6 dB, continuously variable), High-Pass (flat, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
- RF interference, output current limiting, over-temperature, transient, and subsonic protection; Balanced XLR/ 1/4 -inch and unbalanced RCA inputs
Much as with other brands available on the market do, PreSonus has selected to choose one design option and disperse it across the total Eris household of speakers.
Together with Eris E8, we’re looking at what’s a scaled-up version of Eris E5. To put it differently, you get a traditional black cabinet made from adequate MDF, paired with a front-firing port and an illuminated PreSonus emblem in the bottom right corner of the front panel.
Build quality is fantastic for the most part. Nothing rattles, there aren’t any shady joints, along with the taxi elicits a specific dose of assurance.
The rear panel is where the majority of your controllers can be found, in addition to the I/O cluster. Concerning aesthetics, Eris E8 from PreSonus will be the kind of speaker that can fit into practically any type of interior design you’re using.
The center of that which Eris E8 must offer has to do with all the hardware PreSonus has selected for this construct. At the very best, we see the same 1.25″ silk ribbon tweeter, which has proven to be somewhat responsive and quick.
The bottom motorist is an 8″ woven Kevlar device that shares many of the features of its 5.25″ smaller cousin, but with the additional property. In addition to this, we’ve got beefier amps, which will get you 130 Watts of electricity at 105 dB peak SPL.
The back panel shows an HF trim switch paired using a Mid Frequencies trimming controller. There’s also a Low Cut switch, with three rankings: Horizontal, 80Hz, and 100Hz.
Ultimately, there is the Acoustic Space upgrade. In general, it is reasonable to state PreSonus Eris E8 provides more than sufficient potential if you are thinking about tailoring your room acoustics.
From the box, Eris E8 comes around also balanced and impartial. Some will state that using ana low-frequency motorist is overkill for tight studios.
Still, with these low-controls, you can undoubtedly attract these speakers into which the low end does not feel overpowering. In general, the response is linear. There’s loads of transparency during the range. One thing that impressed us was that the off-axis operation of those monitors.
Though there aren’t any multiple waveguides to be viewed everywhere, you won’t see much dispersion if you proceed off-axis. PreSonus hit the nail on the head when it comes to negotiating the transducers’ magnitude and placing them for close field usage.
In many ways, Eris E8 punches above its price range, which is a fantastic thing for anybody seeking to have the best bang for their dollar.
Aside from the essential input, the PreSonus Eris 8 includes a range of controls for tweaking the sound. A three-position Acoustic Space button accepts a pragmatic approach to compensate for any increase in bass response for those who don’t have any choice except to put their tracks in corner places or near a wall. This takes a second-order low-shelving filter, which may cut the degree of frequencies under 800Hz by 2dB or 4dB.
The remaining controls, which PreSonus predict the acoustic Tuning’ controls, allow you to tweak the answer to your preference or to emulate the sounds of different kinds of the speaker.
The High controller is a high-frequency shelving filter that provides around 6dB of boost or cut for many frequencies over 4.5 kHz. In contrast, the Mid controller is a mid-frequency summit filter that boosts or cuts frequencies on 1 kHz with a bandwidth by an octave over to an octave below. PreSonus’ option is a horizontal setting for both. Therefore the rotary knobs for every are detented in 0dB.
If you would like to tweak the underside and, ou receives the low Cutoff three-way change, which provides, besides a level response, a shallow frequency roll-off in a speed of -12 dB/octave under a frequency of 80Hz or 100Hz – helpful if you would like to add a subwoofer to the system.
First impressions using PreSonus Eris E8 inform us that this new is much more than capable of coping with their contest from the studio track section. Eris E8 provides everything a proper studio track using ana″ low-frequency motorist should. In addition to that, the cost is just perfect.
Last update on 2020-12-21 / Affiliate links / Images from Amazon Product Advertising API