Start recording and producing original music using a PreSonus AudioBox USB 96 audio port. This compact, handy, and super-affordable 2-channel USB 2.0 audio interface is a perfect alternative for singer/songwriters and some other imaginative artists searching for a simple method to record in the home or on the street.
Make the most of the award-winning audio of a set of top-quality PreSonus preamps to deliver your vocals, guitar, and other tools to the existence, all recorded up to 24-bit/96kHz professional digital sound resolution. In this Presonus Audiobox Reviews, Fidlar will show you complete details about this audio box.
Table of Contents
Presonus Audiobox Reviews: PreSonus Audiobox USB 96
- Type: USB Interface
- Computer Connectivity: USB 2.0
- Form Factor: Portable, Desktop
- Simultaneous I/O: 2 x 2
- Number of Preamps: 2
- Phantom Power: Yes
- A/D Resolution: 24-bit/96kHz
- Built-In DSP/FX: 20 Native effect plug-ins
- Analog Inputs: 2 x XLR-1/4″ combo (mic/instrument)
- Analog Outputs: 2 x 1/4″ (main out)
- Headphones: 1 x 1/4″
- MIDI I/O: In/Out
- USB: 1 x Type B
- Software: Studio One Artist (included)
- OS Requirements – Mac: OS X 10.11 or later, Intel Core i3 or higher, 8GB RAM or more recommended
- OS Requirements – PC: Windows 7 SP1 64-bit or later, Intel Core i3 or higher, 8GB RAM or more recommended
- Bus Powered: Yes
- Power Supply: USB bus-powered
- Height: 5.5″
- Width: 5.5″
- Depth: 1.75″
- Weight: 1.3 lbs.
- Manufacturer Part Number: AUDIOBOX USB 96
- Durable chassis.
- Smaller footprint than many competitors.
- 2 combination inputs with Class-A mic preamps.
- Own level dials with clipping indicators.
- low latency headphone monitoring.
- 24-bit/96kHz resolution for professional recording.
- The full version of Studio One.
- 6GB of extra content.
- Driver-less installation.
- You will have to splash out a little more to get the Microphone and Headphone version if you don’t already have them.
- 2 high-quality Class-A mic preamps make it easy to get a great sound
The first thing we discovered when we chose the PreSonus AudioBox USB 96 from this box was its dimensions. It is somewhat smaller than we anticipated, but that is not always a terrible thing. It features the silver and blue aesthetic you’d expect in the PreSonus port, and generally, it seems quite reasonable.
On the front part of the port, you will discover two XLR/TRS inputs, together with a 48v swap for phantom power, gain controls for each input, a headphone volume control, and also primary volume control. You will also discover a mixer knob, which controls just how much you will hear from the port’s inputs compared to your PC’s playback.
You’ll get a couple more ports on the rear, such as a headset port, chief outputs, and MIDI in and MIDI out ports. Finally, you will discover that the USB port can be used both for data transport and to power the port.
It is a relatively classy appearance, and everything appears to be pretty solidly constructed also. That is not to say it is acceptable considering the port’s mobile nature; we’d have liked to find just a tiny pouch or carry case included.
It is not a deal-breaker not to have one, but it would have been fine. That is, even though it is exceptionally well-built, our buddies over at PreSonus, in actuality, made us conscious of the movie, revealing the first AudioBox USB interface taking a severe beating, and it managed to record as it had only been shot from the box.
Instead, as stated, at the box, you are going to find the interface, a set of PreSonus HD7 cans, a PreSonus M7 Condenser mic, along an XLR cable.
You will also get bits and pieces such as feet to the port along with an instruction manual. You will find a copy of PreSonus’ DAW, Studio One 3 Artist, which will be the entry-level version of the program. It is excellent software for you started recording, even although if you would like to use other applications such as Pro Tools or Logic, the port will work together also.
We frequently refer to this Shure SM58 as the apocalypse survival microphone, also, it appears that the PreSonus AudioBox USB 96 is its soul animal. It is a powerful little device; also, PreSonus demonstrate precisely how durable it’s by driving it with a truck.
While your podcasting ventures will probably not direct one to the point at which you have to push over your equipment in a motorized vehicle, it is perfect to know you’ve got an insurance plan against minutes of carelessness. The heavy-duty steel chassis housing the AudioBox USB 96 will require a tiny beating.
Dimension-wise, envision a few thick sandwiches piled together with one another, and also, you won’t be away. It weighs 912g, which is nearly the burden of a pint of beer. Yes, I am writing this review on a Friday.
Underneath the hood, the PreSonus AudioBox USB 96 is comparatively strong as you won’t get all that many inputs and outputs, which does not imply that the ones there do not seem significant in actuality; they do.
Though some purists might beg to disagree, they’re quite transparent among those things that we have always enjoyed about PreSonus’ dreams, making them flexible.
You can use the preamps here to list anything vocals, guitars, drums; you name it. The limiting factor here does not come from how the preamps noise, but instead how many of these there are.
If it has to do with sample prices, the port can manage all you’d expect sample speeds of up to 96kHz. That is one of the only things of difference between this port and the first PreSonus AudioBox USB restricted at 48kHz.
The bit depth is limited to 24 pieces, so those seeking to go higher might want to appear elsewhere, but 24 pieces will be OK for many, particularly those getting started at the recording, which is precisely what this port is targeted towards.
The cans in the bundle are not likely to break any records, and you might choose to upgrade them, but as in contained accessories, they’re not poor.
They comprise an over-ear and open-back layout, together with a 1/4-inch adapter. They are relatively comfy too; however, they do get quite hot quite fast.
If it comes to audio, they do OK. The bass response is tight and friendly, even though it does not necessarily expand as much as we may have liked. The midrange is usually well-tuned, using a hot low-mids plus a marginally cut high-mids, and also the high-end is somewhat tamed back.
The outcome is a good-sounding but somewhat unexciting listening experience. We would not suggest purchasing these cans in there as an added accessory at the PreSonus AudioBox 96 Studio. They are not wrong.
The PreSonus M7 mic is much of the same it will do fine for a few simple vocal and acoustic guitar recordings, but it is nothing special. That is not always a bad thing. You are becoming a competent mic, and it will stand as a fantastic improvement for people getting into home recording.
The mic is simply 1 part of many about capturing a fantastic recording, so if you seek to catch clean audio, possibly be confident your space is appropriate to the recording. A pop filter can also be a fantastic addition to help away with these pops and hisses you could encounter throughout the vocal recording.
If you’d like an easy, low-cost alternative, then there are many plugins and play with AI’s on the marketplace. The PreSonus Audio Box 96 provides high-quality preamps because of its mixture inputs.
The staggering amount of dials and back headphone output mean it is smaller than many others. Another bonus is the fact that it’s added value for money; it offers using a complete version of Studio One, finish with Studio Magic impacts and tools. It’s unbelievably simple to begin creating your music. Additionally, it will persist for quite a very long time, which makes it an excellent entry-level investment till you’re all set to expand.
Last update on 2021-04-12 / Affiliate links / Images from Amazon Product Advertising API