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Massive X Review 2021: Top Full Guide

Massive X Review 2021 Top Full Guide

If you are a music producer, then synth software is an indispensable system for creating your own distinctive and creative sounds.

Massive is one of the most famous synth software available today; It is super versatile, though it is often associated with dubstep and its branches for its ability to produce a growling and thumping sound. Influencing bass music inspired a generation of modern soft synths such as Serum and Pigments equally popular, both of which borrow heavily from the notion of wakeboard synthesizers and modulation systems by Massive.

It receives a lot of praise from users and music experts. So what makes it so popular and ideal? Let Fidlar discover what’s so special about this synth software right at Massive X Review.

Massive X Reviews

Tech Specs

  • Software Type: Synthesizer
  • Platform: Mac, PC
  • Upgrade/Full: Full
  • Download/Boxed: Download
  • Bit Depth: 64-bit
  • Format: VST, AU, AAX Native
  • Hardware Requirements – Mac: Intel Core i5 or higher, 4GB RAM or more recommended
  • Hardware Requirements – PC: Intel Core i5 or higher, 4GB RAM or more recommended
  • OS Requirements – Mac: macOS 10.12 or later, Kontakt 6 Player
  • OS Requirements – PC: Windows 7 SP1 or later, Kontakt 6 Player
  • Manufacturer Part Number: 25890

Tech Specs


  • Stunning oscillators and filter
  • Empowering routing system
  • Performer modulators kickass
  • Awesome effects and unison morph
  • Unique and amazing sounds


  • Not enough effects
  • Not enough visual feedback
  • Can’t save Performer presets
  • No wavetable synth or sample import
  • No manual or NKS at time of writing


  • Constructed around a double oscillator segment with over 170 wavetables
  • Ten different wavetable manners offer different playback fashions.
  • Two phase-modulation oscillators inject movement and strain to the primary oscillators.
  • Insert sound from myriad artificial and natural sources
  • Nine filter types allow you to twist frequencies into a heart’s content.
  • 3 Performers allow you to paint exact patterns of modulation and assign them to different parameters
  • 4 Tracker mod resources Allow You to govern parameters based on which note you perform
  • Add up to 3 impacts anyplace in Your signal series and Stereo FX in your output.
  • The Voice segment provides profound access to some super-powerful synth engine.
  • Straightforward drag-and-drop navigation from any output to any input
  • Switchable skins range from magnificent eye candy to CPU-friendly horizontal modes.
  • A resizable interface scales the plug-in to match your workflow.

Massive Changes

Massive VST resembles a very different synth. It takes design cues from Reaktor Blocks, seeming just like two rows of rack modules. The midnight blue panel has been replaced with a flat, hot gray that allows the colored modulation rings to pop outside.

The top half always shows the synth controls, whereas the decreased buttons between different tabs for modulation, voice, and routing installation.

Massive Changes

NI is still calling huge X semi-modular, but it’s in nature fully modular. The first native instrument’s massive joint crossfader points along with a partly interactive signal flow perspective to prepare the synth’s internal patching.

X replaces those with a publicly editable, Reaktor-style routing webpage. This might be daunting for casual users, but it provides sound design excellent extent for patch production.

The starter palette of synth modules has ever been simplified, with just two main wavetable oscillators rather than a single filter instead of 2.

Among the keys to Massive plugin competitive sounds was the oscillator stage mod courtesy of a dedicated modulation oscillator. Enormous X includes two oscillators, with different depths to each of the primary oscillators. An Aux PM controller injects an additional oscillator mod out of any other sign stage.

Simpler oscillators could be inserted Insert modules and utilized as additional sound layers as modulation sources for the primary oscillators or every other.

Two mod resources may also be inserted as good speed signs in the router. Extra filters can be found in a Utility insert module. The thought of maintaining lots of modules as alternatives is a great one, permitting you to include what you will need for a particular patch rather than having a fixed board littered with new sections.

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Oscillators & Filters

Enormous X’s primary sound production stays the same: wavetable oscillators with banks of preset wavetables. Even though there are a collection of remastered’ favorites in the first set, the wavetables are new.

The wavetables could be twisted and altered in a lot more ways than previously. The first had a spectral filter, a few flex’ variations, along with a formant processor. Nowadays, you get ten modifiers with several sub-modes and respective controls to completely twist the oscillator level’s noise.

The principal oscillators are complemented with two sound generators using multiple noise tables. Much like the first native instruments Massive x, there is no ability to export wavetables or samples. I don’t know whether this may change later on, but it is not a priority for me personally.

I have done a relatively straightforward test to compare the oscillators and the originals by choosing a sine wave and enjoying quite important notes to show any aliasing.

I was quite surprised to hear aliasing coming from X compared to the not-X. Finally, I figured out that the aliasing tones were coming out of the default Asimov filter instead of the oscillators themselves.

The primary filter segment features all-new ways, such as the Monark filter out of NI’s Moog clone. The timeless Scream filter out of Massive synth is gone, but there are many acidic harmonics available using all the Scanner and Croak manners.

The SVF filter seems like an SEM-style filter. Regardless of the title, it features different manners and one output. The SVF Parallel and Serial modules do but offer multiple double filters combined to the output signal.

Inserts & Effects

The section advantages from a number of the most intriguing and useful upgrades. This can be an area where you can add up to 3 extra modules, all of which may be individually patched within the Routing map.

There is a choice of effects and signal processors, such as updated versions of favorites in the initial Enormous such as the Frequency Shifter and Bit Crusher.

Added oscillators may also be mixed into the mix. There is a straightforward Sine/Saw/Pulse oscillator and a Stage Mod oscillator modulated with the input signal.

The Utility module is a top -and – low-pass filter set with varying slopes, which may provide sound-shaping responsibilities while leaving the most important filter to get more colorful processing.

Three added effects slots offer you master effects, which may be patched in different manners. Some, such as Reverb and Dimension Expander, share their titles with the first Massive effects but certainly are a substantial leap up in grade.

New highlights will be the Quad Chorus and the Nonlinear Laboratory, the latter of which will be a package of drive and amp sim effects.


Now we are entering land which ought to be recognizable to Enormous users. The Modulation segment is extensive, with three Performers, nine selectable Envelopes/LFO, and four Tracker slots spread from left to right on the Mod Bar.

If you would like to assign some of them, you merely click the cross-hair connected with it, and each one of the accessible destinations will look like white cubes from the greyed-out background.

Drag over, shed, then click-drag down and up to assign the thickness and range with the Saturn ring picture (essentially, a line indicating that the modulation range will affect around a dial). As I say, this will be the most recognizable part of the Massive X to many Enormous users (along with a range of different synths that use a similar regulating technique).

Highlights would be the Performers, initially similar to drawing bars’ modulation using many drawing and time choices and shapes to glue, giving more spectacular modulations up to eight bars. But, snapshots may also be controlled and altered by person MIDI notes to get an excess layer of functionality modulation.

Both Envelopes and LFOs are adjacent, with the initial setup as the Amp Envelope along with the Rest of the selectable between Modulation Envelope, Exciter Envelope along with Switchable along with Random LFO alternatives.

The Modula Envelope is a version of a typical ADSR, and Exciter is a single-cycle LFO. Even though both have graphic screens, neither moves since you fix parameters presumably that will be to come.

The LFO modulators offer you a few alternatives, such as Switcher and Random. The switcher is essentially a flow of different-shaped waveforms to choose, which itself may be modulated (obviously!);.

Simultaneously, Random has many jitter parameters to correct to attract different degrees of unpredictability again; some upgrade to visual feedback is definitely to come here.

Four Trackers may be employed to specify critical tracking and routing additional external MIDI modulations, and Voice Randomizer (VR) provides you inconsistent analog effects on every keypress. Ultimately, 16 macros could be assigned to multiple destinations and utilized for DAW automation. It is fair to say; then, the vast X modulation segment lives up to its billing.


Together with the noises, there are 17 classes in total. I turn directly to the Bass segment, and though the amount of presets inside it may not be enormous, the perimeter of those sounds is.

Those of a first Massive bass will not be disappointed in X’s apparent capacities in this aspect. Unsurprisingly, however, given that the extras you receive concerning sound, modulation, and navigation, the atmospheric soundscapes shine throughout. If you are at all considering music for film, Massive X might be your new choice.

The synth leads and pads are also magnificent; there is plenty of motion happening in these, and the gorgeous point is that, since Enormous is so visual, it’s easy to determine how every preset was made; therefore, simple to tweak and correct.

You will want to generate a number of those sounds on your own that is a massive cocktail, and there are lots of quick ways to do precisely that. The last sound tip: there might not be that lots of real’ instrument emulations here; however, X creates an excellent job of producing them.


The celebrity is brilliant. It’s an MSeg (multi-segment Envelope) generator with excellent drawing tools. However, what makes it particularly powerful is that every one of those three celebrity modulators can possess twelve patterns characterized, and these may be actuated via critical switches.

A composer who also conveys a sound-designer hat may have a field day. The one thing I’d love to see added is a lead-in section ahead of the loop.

As currently implemented, the degree of the active part is defined with start and finish markers. Playback begins at the beginning of the active place, and that is all you’ll get.


Native could have taken an obvious route with Massive X and indeed, one that I initially expected it to. It could have only updated the original Massive UI, added some extra Wavetables Modes, maybe a few effects and presets, and have done with it. Instead, the company has been braver and built a new Massive from scratch. We hope our Review: Native Instruments Massive X can help you know more about this soft synth.