If you are a music producer, that wants to get the very best tools at your disposal to produce the best tunes, the Native Instruments Maschine MK3 might be the perfect console for you. It includes a 24bit/96KHz sound interface along with a pleasing color screen to flip through if you’re searching for the following sample to utilize.
The pads are extra-large, and the knobs are touch-sensitive, providing you with a better sense when you are performing your mixing. It includes over 8GB of samples preloaded straight from the box. Packed with production-ready sounds, you have all of the tools you want to create unique mixes instantly. Keep reading Fidlar’s post to see our Maschine Mk3 Reviews.
Table of Contents
Maschine Mk3 Review
- 24bit/96KHz audio interface
- Large pads
- Touch-sensitive knobs
- Precision audio slicing and tweaking with color display
- 4-direction push encoder for quick adjustments
- Dual power supply options
- 8GB of samples
- 16 pads
- 47 buttons
- 9 rotary encoders
- Pitch bending, strumming, recording, step-sequencing, and auto-mapping
- Maschine Studio’s color screens
- Supremely playable pads.
- All-new audio interface and touch strip.
- Stunning build quality and looks.
- No back legs for angling.
- 4D push encoder isn’t mixer-friendly.
- Integrated hardware/software system includes sampler, arranger, mixer, FX, and more
- Includes 25 GB KOMPLETE 11 SELECT library featuring 25 pro-quality studio and creative FX
- Pro-grade, 96 kHz / 24-bit audio interface with 2 x 1/4” TRS line outputs, 2 x 1/4” TRS line inputs, 1/4” dynamic mic input, stereo headphone output, 1 x MIDI In, 1 x MIDI out; 1 x Footswitch
- Touch sensitive knobs for parameter tweaking. System requirements: Mac OS X 10.11 or macOS 10.12 (latest update), Intel Core i5, 2 GB RAM (4 GB recommended),Windows 7, 8, or 10 (latest Service Pack, 32/64-bit), Intel Core i5 or equivalent CPU, 2 GB RAM (4 GB recommended)
- Smart Strip for strumming notes, pitch bending sounds, performing with FX, and more.Crosstalk L/R : -96 dB
The primary playing surface has also had a radical redesign. The most noticeable new component is big color screens that provide comprehensive visual responses and enable entirely hands-on navigation of libraries, plugins, effects, settings, blending, and virtually anything else that you can picture.
The buttons over the screens are perceptible, as would be the touch-sensitive knobs beneath. In any particular manner, they change their function, which way not as much shift-clicking to get different tools.
Also new is a four-way encoder, an improved jog shuttle dial that allows four-way clicks to boost its usefulness considerably. It is more straightforward between those input methods than ever to nearly never touch your pc: even activities like saving undo and stains are accessible from the hardware store.
The pads have more significant but preserved the same center-to-center space so they will not confuse present users. They are exceptionally expressive to perform, and NI has completed a great deal of focus on improving the finger-drumming experience.
They feel much more responsive than ever to speed, and there is also a fixed speed button for much more constant reaction when tripping samples. The Note Duplicate button is now more prominent and makes integrating fast rolls into live operation easier.
The Pad Input style buttons are located over the pads and make it a cinch to switch between arcade keyboard, chord, and measure modes. The experience of switching between manners feels much smoother and more natural today.
Also, the fact you are utilizing precisely the very same pads for entirely different types of input does not register. The MkIII has inherited a Smart Strip, and along with being great for dwell effect manipulation, this may also be used to strum chords and notes.
Hold any mix of notes, and also running a finger throughout the strip will strum these notes. This is a little but very creative addition, moving beyond what you would expect to perform with the pad-based input signal.
Another inherited characteristic, now from Maschine JAM, is that the Lock button allows you to choose parameter snapshots, create tweaks and zap back into the first state, or switch between different nations. It is cool for live operation.
You still receive the 8GB Maschine audio library with bundled effects and instruments, the 25GB Komplete Select library, complete support for plugins along with 25 dedicated impacts, in order a bundle it is enough to get you nicely up and functioning.
There have already been changed to the design elsewhere also: a redesigned front desk has enabled NI to put many of the most frequently used parameters and controls and center, frequently given their very own button rather than requiring a change +media.
They’re more sophisticated DAW control and integration with the most recent Maschine applications also means buttons such as Macro, Browser/plugin, and Arranger are especially helpful. Instead of needing to adapt the applications to be useable by an old generation of hardware, they could enlarge the applications to make the most of their new hardware port.
You will find significant core upgrades here, making the MK3 a more robust all-in-one unit than its predecessors. It’s a built-in 96kHz / 24-bit sound interface, a one-fourth dynamic mic input, a stereo headset, MIDI in and out, and possibly most of all, line inputs and outputs. It may be powered only with USB or plugged into the wall to get a few excess lighting.
As I’ve previously mentioned, these line jacks are a significant thing. Ahead of the MK3, the Maschine hardware hadn’t any sound I/O, which means that you could not just plug items such as speakers or your headset into the device.
At this time, you can. Possessing these inputs accessible also means that you can plug in tools such as a synth and record right to the Maschine program. This is a leg up not just in comparison to the former MK2, but additional products such as Ableton’s Drive control, which can not accomplish the same thing with no audio port.
I now have the MK3’s sound output only routed into the headset jack (since I live with folks ), which renders my notebook free for, well, everything else.
I really do have some beautiful Adam Audio A7X studio screens, but here is where a slight annoyance comes from: the headset input does not mirror the master outputs.
That means if I am listening to headphones and would like to change to my screen speakers, I can not just unplug. I must enter Maschine’s tastes and reroute the output interfaces to my speakers. It is a bummer. A little one, but still a bummer.
The Maschine two applications might be a couple of years old now. However, we found it robust, full-featured, and comparatively simple to operate with though based on your desktop, there could be a small learning curve.
Possibly the best thing about the Maschine two applications is how well it works with Native Instruments’ hardware and applications.
In the Native Access program, it’s simple to install Native sample packs and tools, provided you have access to them on your accounts. Provided that your own Maschine Mikro MK3 is plugged into your pc, Maschine 2 must also automatically discover and link to it.
With the Maschine Mikro MK3, you will have access to an impressive range of sounds and tools. The sample library which you buy, for starters, has 1GB of samples inside.
While it is not unusual to discover much bigger sample libraries than that, we believe what is on offer is much more than sufficient to get you started. You also, of course, have access to fantastic tools, including Native Instruments’ Enormous, in addition to Monark and Prism, which seem significant in their respects.
Like using all the Maschine Micro, there’s a bit of a learning curve, particularly as someone who utilizes Pro Tools’ likes over anything else. Nevertheless, if you’ve got a little bit of comprehension of audio production applications, that learning curve is not all that bad.
There are some approaches that you can use the Maschine Mikro inside the Maschine two software. For starters, you can load an instrument, like a piano by way of instance, and use different pads for different notes on a piano. Then, visit the chord style to play chords rather than notes, etc.
The different viewpoints in Maschine two are relatively simple to navigate. There is the Ideas perspective, which aids you to jot thoughts down and receive beats.
Then there is the Song perspective, which you can place together with those beats to some fleshed-out song. Last but not least is that the Mixer perspective, which, as you may anticipate, allow one to modify the quantity, use effects, and much more to your sounds. The Mixer perspective specifically helps make Maschine 2 feel like a fleshed-out DAW, which can be excellent news.
In the end, this is an overview of this Maschine Mikro, maybe not one of those Maschine two applications but understand that Maschine 2 functions with all the Maschine Mikro hardware. That is the whole point of this Maschine series.
There are loads of hardware-only sequencers on the market, but few if none mix hardware and software in addition to the Maschine. You might even utilize Maschine two as a plugin along with your preferred DAW. While it will take some time and effort to generate everything function properly, we discover it was not too hard to track the applications as a Pro Tools plugin.
On the lookout for a beat-making machine and also do not wish to shell out a lot of? The Native Instruments Maschine Mikro MK3 is the way to go. The apparatus itself is well-designed and incredibly practical. While there’s a little learning curve to get first-time Maschine consumers, you will find it simple to make songs upon getting familiar with the Maschine Mikro MK3 offers.
You can always choose the bigger Maschine MK3, which provides a similar layout but boasts two color screens that reveal more information and result in a more full-featured encounter, but the simple fact is that in this price range, there is no better thing to do.
Last update on 2020-12-21 / Affiliate links / Images from Amazon Product Advertising API