Marshall is a brand that is so familiar to consumers in the audio equipment industry, each of their products delivering the quality they expect.
Marshall Origin 50 is a testament to that, an audio amplifier that has been with consumers throughout the years and has consistently received customers’ trust.
So what makes this amplifier so outstanding? Check out what’s in this amplifier with Fidlar at the Marshall Origin 50 Review.
Marshall Origin 50 Combo Review
- Type: Tube
- Number of Channels: Single
- Total Power: 50W (10W/5W power settings)
- Preamp Tubes: 3 x ECC83
- Power Tubes: 2 x EL34
- EQ: 3-band EQ, Tilt control
- Inputs: 1 x 1/4″
- Outputs: 1 x 1/4″ (16 ohm), 2 x 1/4″ (2 x 16 ohm / single 8 ohm), 1 x 1/4″ (DI out)
- Effects Loop: Yes
- Footswitch I/O: 1 x 1/4″ (gain boost, effects loop)
- Footswitch Included: Yes, 2-button footswitch
- Construction Material: Black Tolex
- Power Source: Standard IEC AC cable
- Height: 8.9″
- Width: 22.7″
- Depth: 8.8″
- Weight: 26 lbs.
- Excellent tones. Great with pedals. Solid construction. Useful tilt knob and low power modes.
- No reverb. No channel switching. Doesn’t quite sound like a vintage Marshall.
The Marshall Origin50H is a single-channel, all-tube 50-watt amp headset with a pair of EL34 tubes to the power amp section and three ECC83 tubes to its preamp and effects loop.
Front panel controls are arranged in 3 sections, together with Presence and Master at the Output section, treble, middle, bass, and tilt at the EQ section, and a gain controller with tug increase function in the finished section.
Next into the electricity on/off toggle switch is a three-position toggle switch having reduced (1-watt), mid (10-watt) along with higher output (50-watt) configurations ) The amp provides just a solitary 1/4-inch guitar input.
Still, the tilt controller provides the essential voices of glowing and standard input channels in addition to the mix of both that gamers would get using a jumper cable between both onto a four-input amp.
Back panel features include an effects loop using 1/4-inch ship and return jacks, a jack for the included footswitch that contrasts the increase function and effects loop, a 1/4-inch DI output, and three speaker output jacks for connecting 8- or 16-ohm speaker cabinets or a set of 16-ohm cabs.
The shell’s measurements are a bit shorter than those with a traditional Marshall small box mind, and the general weight is approximately 26 lbs, which is quite welcome for gamers fed up with lugging large, heavy heads to gigs.
Like the traditional Marshall JMP amps of the Seventies, the Origin50H excels in overdriven tones, which are raw, organic, and lively with a particular midrange personality that could only be described as Marshall.
If you like the tones of Jimi, Jimmy, Billy, Eddie, or Angus, the Origin50H will allow you to pretty darn close. This isn’t a high-gain amp by any means, but engaging the increased function might provide appropriate compression and saturation for smooth, sustaining solos.
The fresh headroom is, in fact, quite generous and striking, which will be welcome news for lovers of touch Marshall clean tones in addition to gamers searching for a good base for a pedal-centric rig.
The 1-, 10- and – 50-watt output configurations provide striking differences in output, together with all the 1-watt settings being on the degree of loudly speaking. In contrast, the 50-watt setting is much more than loud enough to be used on point.
The amp sounds best with the Master controller collection from 8 to 10; also, together with my mid-Sixties SG, I pinpointed Highway to Hell Lights with all the EQ set to 6, 6, 6 hmm.
The Origin 50C sells for a small $799. (Compare this to Marshall’s present reissue of the two-power-tube JTM-45 combo, which extends for $2,700.) Marshall is cutting a few corners, but they are carefully chosen cuts.
The amp is fabricated in Vietnam. Components are constructed on a circuit board, which also hosts the jacks and pots. The cabinet is created from composite material. However, the Origin 50C seems fantastic, and there is nothing flimsy about its hardware and cabinetry.
The foot pedal is stage-worthy. This amp might be produced out of mass-production procedures, but it is well made. I would not hesitate to utilize it at the studio or take it on
The Marshall Origin 50 overdrive and clean tones that guitarists know and love have never been more accessible or affordable, thanks to the Marshall brand