The Marshall DSL5C is a nicely curved versatile workhorse. Works well for almost any type of music from contemporary jazz to country to blues to rock and heavy metal. Probably not perfect to ultra-clean jazz or even the maximum gain death metal.
The amp to be somewhat noisy with one coil strat free of RWRP middle pickup for sound cancellation, especially if using high Profit so that it’s not so much an amp issue for a guitar difficulty. To know more about this amp, keep reading Fidlar’s post to see our Marshall Dsl5C Reviews.
Table of Contents
Marshall Dsl5C Review
- Circuitry: All-tube
- Output: 5-Watts RMS (can be dropped to 1-Watt via switch)
- Speakers: Celestion Ten-30 x 1 (10″, 16 ohm)
- Input: Input Jack
- Outputs: Headphone/Emulated Line Out Jack
- Effects: Quality FX Loop
- Programmable: No
- Width: 455mm
- Height: 430mm
- Depth: 240mm
- Weight: 12.7Kg
This is a comparatively simple traditional tube amp; therefore, it is not as feature-packed as some of the excellent state modeling amps on the market as you’d expect. With all those authentic Marshall valve amp tones, so it does not have to be.
Front Panel: left to right, we have the input, quantity (classic advantage ), station select, gain controller (ultra profit ), volume (ultra profit ), a tone change, treble, mid, bass, deep switch, and power switch.
Tubes / Valves: Some of the chief features of the Marshall is a simple fact it is a tube/valve amp, as well as three tubes at the pre-amp plus one valve in the power plug; it truly kicks out some great tones.
The pre-amp segment employs ECC83/12AX7 valves that give you that fantastic real Marshall sound. Then you have an ECC99/12BH7 tubing at the power amp; this provides more than sufficient output for home use or tiny gigs.
Two Stations: Can it be Vintage Profit or Ultra Gain? This all depends on the type of music you perform; however, using a footswitch included, you can change between the two effortlessly. Timeless Profit provides a clean, apparent Plexi noise with significant midrange presence.
In contrast, the Ultra Gain (that has both volume and gain knobs to provide you more control) produces a high profit – mid enhanced tone, perfect for all those ear-piercing guitar solos! Incidentally, the Ultra Gain channel relies on a hot-rodded JCM800 2203.
3 Circle Equalisation: To offer you additional control over all this tone, so you can adjust the treble, bass, and middle to fit your taste. Pressing the tone change button produces this combo much more flexibly by providing you with a competitive mid sound perfect for contemporary metal. ‘Deep’ will raise the shallow end giving a milder bass.
Power Damping: As we mentioned in our introduction, this is a loud amplifier! Thus, Marshall has thoughtfully added a power damping switch to decrease the output signal from 5w to 1w.
If you would like to use the amp for the home clinic, flick the switch into low power mode, and you’re able to steer away from your heart’s content without even bothering anyone too much.
When it’s still too loud, then you could always plug in some headphones (the socket is on the rear of the amplifier only beside the electricity damping switch).
Note: A great deal of info online indicates that the power decrease is from 5w into 1w; however, the manual out of Marshall says it’s dropped down to 0.5w.
Outcomes Loop: The inclusion of the effects loop is a real bonus, especially with the absence of built-in reverb. If you plug into an external effects pedal, reverb and delay sound good through this loop.
Footswitch: Another fantastic bonus is the provided single-button footswitch for switching between the classic Profit and ultra Gain stations (perfect if you would like to split in an overdriven Royal mid-song easily).
The grade of the unit itself is a real highlight of their shall DSL5C. It’s a solidly built instance, with all the classic Marshall look. You will not be let down in this region.
The closed-back adds to the weight and strong sense of this casing. While the amp isn’t too thick, the strap feels like it won’t ever break and may hold double the weight.
It is a straightforward collection of features that ticks virtually every box (except the one I emphasized above). However, what about tone? How does this sound? But to be frank, it seems just like a Marshall! I had been blown away by exactly how good that Marshall tone is out of such a tiny unit. That is what Marshall do so in ways, I should not be amazed, but it put a grin on my face once I hit that power chord.
Marshall is inclined to find a little bit of despair in regards to wash tones. Many guitarists assert that additional amps, for example, Fender provide a better clean tone.
I certainly love Fender amps and concur they do deliver unique, clean tones. But to state that Marshall can not do clean is simply crap. It is just different. The Marshall DSL5C employs the Tone Alter and resonant modes to assist this circumstance, providing you with more control in receiving the blank tones you desire.
The clean tone, as I said, is a Marshall clean tone. I enjoy it, and by playing the Deep and Tone Shift controllers, you will get an excellent outcome.
I believe most players will only leave the deep placing unless the installation already has a deep tone. As an instance, when you’ve got a Les Paul or comparable heavy and thick looking guitar, then you may love to brighten the tone up by turning off the deep setting.
I didn’t notice with all the clean tone that it did begin to split up well at quantity. Therefore, in the event you’d like ultra-clean tones in large volume, you may have to appear elsewhere.
Let us be fair; this is precisely what it is all about. That is the reason why folks purchase Marshall…and you won’t be let down. Together with all the gain control, you will have the ability to acquire tones everywhere from a boosted pinch to blues, rock, and alloy. It is the highlight of this amp and won’t disappoint.
Some Marshall amps offer you multiple profit stations, but though the DSL5C only has one central station, it’s set up to supply the classic Marshall sound.
I discovered that when playing the emulated line out through cans, the Profit is much less pleasant. This is obvious once you consider that you are removing the entire speaker in the equation. However, it is well worth noting.
It seems like that is a fantastic little true sounding Marshall tube amp ideal for metal or rock guitarists. Marshall Dsl5C is excellent for home training, rehearsals, and even tiny gigs. The build quality is as you’d expect from Marshall. This is a versatile small tube amp; if you want to create your initial foray into the area of valve amplification, then this may be just the thing.
Last update on 2020-12-21 / Affiliate links / Images from Amazon Product Advertising API