Gretschguitars is a well-known brand in the guitar industry; if you already own one of their products, then you should be proud that you’ve put your trust in the right place.
One of their standout products, we mean the Gretsch G5220, a guitar versatile enough to play a wide range of genres from jazz to rock or blues. If you are looking for a guitar to accompany your practice and performance career, then this might be the guitar you need. Let’s explore the guitar with Fidlar and whether it is worth the investment right here at Gretsch G5220 Review.
Gretsch G5220 Electromatic Jet BT Single-Cut Review
- Number of Strings: 6
- Left-/Right-handed: Right-handed
- Body Type: Solidbody, Chambered
- Body Shape: Jet
- Body Material: Mahogany
- Top Material: Laminated Maple
- Body Finish: Gloss
- Color: Black
- Neck Material: Mahogany
- Neck Shape: Thin U
- Radius: 12″
- Fingerboard Material: Black Walnut
- Fingerboard Inlay: Pearloid Big Block
- Number of Frets: 22, Medium Jumbo
- Scale Length: 24.6″
- Nut Width: 1.6875″
- Nut Material: Synthetic Bone
- Bridge/Tailpiece: Anchored Adjusto-Matic with V-Stoptail
- Tuners: Die-cast Chrome
- Neck Pickup: Black Top Broad’Tron Humbucker
- Bridge Pickup: Black Top Broad’Tron Humbucker
- Controls: 1 x master volume, 2 x volume (neck/bridge), 1 x master tone, 3-way toggle pickup switch
- Strings: Nickel-plated Steel, .010-.046
- Manufacturer Part Number: 2517110506
- Versatile Range of Tones
- Fantastic Natural Sustain
- Decent Pickups
- Black Walnut Fingerboard Material
- Gloss Neck Finish
- Strap Locks Might Not Suit Everyone
Feature and Design
The G5220 is a complete-scale (24.6″) guitar with a solid mahogany body. It is relatively slimline, but there is still some weight for this. The top is laminated walnut, which conserves some price tag, with black and white binding around the border.
A gloss finish completes the look. You will have noticed it is shaped like a Les Paul, but the layout is the one thing that the G5220 has in common with all the Les Paul. Gretsch calls this layout Jet. The throat is glued into the entire body, which is far better for nourishment.
The neck is made of Mahogany using a gloss urethane finish. Gloss finishes are not as comfortable to perform as Satin endings, but Gretsch needed to keep prices down to have the ability to price this at $500. The finish on the neck is just one such compromise.
Concerning the neck profile, it is U-shaped, which is just like the C-shaped throat usually found on other guitars but somewhat thinner.
There are still many throats to utilize; it is merely not thick, just like the old 50’s guitars. White binding functions up the neck also for additional style points.
The fingerboard is made of black walnut. This is undoubtedly an area where Gretsch is creating a price saving. There is nothing wrong with walnut, but it is softer than many kinds of wood utilized in fingerboards. Consequently, there might be more wear than you would expect with different forests as time passes.
I get that Rosewood is not sustainable, but I am not sure why they could not have used something such as Jatoba or Pau Ferro wood for the fingerboard material. In any instance, walnut is just right for your tone.
You will find 22 medium jumbo frets, therefore fairly standard there. The higher frets are readily accessible for direct work as a result of this only cut-away.
The highest frets are marked out by obstructing Pearloid inlays. Therefore it is relatively easy to understand where you’re on the fretboard!
The nut is made of synthetic bone. While not as low plastic, it is still not like bone. It might have been simple for Gretsch to match a plastic nut over the G5220.
So many different guitars in this price range use plastic, and also, for all these, I have told them to get it phased out. It’s possible to swap the artificial bone nut if you would like, but it provides better performance than plastic. It is down to personal taste.
The white binding proceeds onto the headstock, in which you will discover die-cast pruning machines. They do a fantastic job of keeping the guitar in tune and look trendy. You should not find which you have to listen to the guitar each time you strum a chord.
Back to the opposite end of the guitar. A trendy V-Stoptail anchor’s everything into position. An anchored Adjusto-Matic bridge allows for some modification should you have to change the intonation.
The pickups are Blacktop Broad Tron humbuckers. You get two of those pickups, one situated in the bridge and you also situated in the neck. A 3-way pickup switch allows you to pick only the bridge, a mixture of neck and bridge, or only the neck pickup.
The bridge pickup gives a bright and punchy tone. The neck pickup is slight but can seem just a tiny bit helpless with just a slight gain. Each pickup has its volume knob to get control.
There are also master tone and volume control knobs. The pickups, along with the controller knobs, have a beautiful chrome finish.
Concerning tone, the G5220 does not share many features with any other manufacturer. Though it takes the form of a Les Paul, it seems nothing like a Gibson or an Epiphone. If it does not seem like a Gibson, then it must require some tonal inspiration from Fender, correct? Wrong!
The G5220 produces an exceptional sound. Possibly the best way to explain it’s bright, but with a little additional low and mid punch. Even though it’s fantastic for crisp and clean tones, it will seem throaty if performed.
Concerning overdrive, it is fantastic for antique pinch and warmer tones. Contrary to the Les Paul’s, it may cope with more generous profit fashions, but you probably would not purchase the G5220 to perform heavy metal and rock styles. It is ideal for jazz and blues but also perfect for contemporary rock.
Pair the G5220 using a delay pedal, and the tone is beautiful. The organic sustain produced from the G5220 is just another desirable characteristic. It is a mad amount of sustain, and folks will not believe you when you tell them you are not using a pedal!
The strap locks are complete books also. They unscrew, letting you match the strap before screwing tight to guarantee the strap is fastened. I like that small attribute, but you can always swap them if you want the expected anchor points.
The guitar has a pair of nickel-plated steel .010’s. They are not awful stock strings, but as always, you may want to swap them out to your preferred manufacturer and gauge.
The cost was kept lower since the guitar has been made in China. It looks like the quality assurance procedures are far better for your G5220’s.
It is simple for defects to slide through or marks on the binding, but it looks like the Gretsch Electromatic jet g5220 receives additional scrutiny. Although produced at a far lower price, the attention to detail remains to a substantial standard.
The G5220 guitar is an excellent step for guitarists that aren’t quite certain what style they would like to play with. There is enough flexibility in the G5220 to play clean and crisp up to high gain fashions. While shaped just like a Les Paul, the G5220 has its own distinctive Gretsch sound. We hope that our Gretsch G5220 Electromatic Jet BT Review can help you know which should you choose.