Fender is a brand that is so well known in the musical instrument industry; they have brought many prestigious products and satisfaction to customers.
The brand’s popular Fender Champion 100 guitar amplifiers have received a lot of praise from users as well as music reviewers, offering you classic Fender tunes in a trendy, priced package reasonable. This performance-ready 2 x 12″ combiner features 100-watt tube amps and a wide variety of tones ideal for any style, served loudly and proudly through Fender Special Design speakers.
If you are also looking for an amplifier for your beloved guitar, then this might be an ideal suggestion for you; let Fidlar discover what unique Fender offers customers in this amp at the Fender Champion 100 Review.
Fender Champ 100 Amplifier Review
Fender Champion 100 Specs
- Type: Solid State
- Number of Channels: 2
- Total Power: 100W
- Speaker Size: 2 x 12″
- Reverb: Yes
- Effects: Yes
- EQ: 3-band
- Inputs: 1 x 1/4″ (instrument), 1 x 1/4″ (power amp in), 1 x 1/8″ (aux)
- Outputs: 1 x 1/4″ (preamp out)
- Effects Loop: Yes
- Headphones: 1 x 1/8″
- Footswitch I/O: 1 x 1/4″ (channel, effects)
- Footswitch Included: Yes, 2-button footswitch
- Power Source: Standard IEC AC cable
- Height: 19″
- Width: 26″
- Depth: 10.25″
- Weight: 40 lbs.
- Highly versatile
- Independent effects capabilities
- Durably built
- Solid and varying tones
- Durable construction
- A little heavy
- Not a flashy design
Channel one provides you a traditional clean tone predicated on Fender Blackface amps such as the Twin Reverb. It’s Bass and Treble tone controls along with an FX Select rotary switch to opt for an effect or mix.
Channel two adds a few tone-shaping choices. To begin with, you can decide on the amplifier version you desire.
Additionally, Gain control lets you adjust how much you overdrive the preamp to get just the correct number of tube-style distortion. At length, the Bass, Mid, and Treble controls allow you farther sculpt your tone.
To select channel two or one, either push the front-panel Ch Select button or press the left to switch on the included footswitch.
The champion 100-watt tube amp includes an assortment of built-in electronic consequences. Each station has a rotary switch to select one of 16 mixtures of various consequences. It is possible to press the ideal footswitch button to turn effects on or off.
Accessible fender champion 100 amp includes reverb (room, hallway, or spring), auto-wah, long or slapback delay, flange, chorus, vibrato, and tremolo. Some change settings select mixtures of two effects: reverb + delay, chorus + delay, and chorus + reverb.
It is possible to sync the delay time or modulation speed to your playing speed by pressing the appropriate Tap Tempo button beside your FX Select knob a couple of times.
The resulting rate could be set separately for each station. Regrettably, you can not utilize the included footswitch to set the pace. The FX Level control adjusts the combination of the processed sign.
The amplification fender champion 100-watt guitar amp provides precise versions of 16 amplifier forms. These include Fender’s tweed Champ, Deluxe and Bassman, and ’65 blackface Princeton, Deluxe and Twin versions, and an acoustic apartment “Jazzmaster solid-state clean” sound.
Also included are British amps in the 1960s, 70s, 80s, and some modern metallic sounds. They are all fast available via the Voice switch on the front panel.
The 100-watt amplifier is outfitted with two heavy-duty 12-inch, 16-ohm speakers. They are marked as Musical Instrument Loudspeakers especially intended for Fender.
Some claim they are an Eminence version, but there is no sign about the speaker. The magnets look heavy enough, and the audio is excellent.
You may always update the speakers if you’d like. You can not plug it into an external speaker cabinet since no Speaker output signal is provided.
In & Out
Together with the Champion 100, you receive several significant input and output choices. Everything is conveniently situated on the front panel.
Of paramount significance for most guitarists is that the effects loop, branded Pre Outside and Pwr In. You may link your favorite pedals, following the preamp gain stages. The Pre Out doubles as a direct output link for linking to a DAW port or alternative destination.
The 1/8-inch Aux input allows you to play together with your media player or another external sound source. Along with also a 1/8-inch headphone output permits you to play silence.
At first glance, there is a shocking number of rotary control knobs, though there’s nothing that’s not needed. Working from left to right, this amp provides controls to the clean channel (volume, treble, and bass, in addition to an FX pick and FX level controller ) and controls to the push channel (switchable using a button at the center of the Sky ).
These push controllers include gain, volume, treble, middle, and bass, in addition to controls to your amp voice and FX selection/volume. Additionally, it is controllable through the included footswitch, and it is a fantastic addition at this cost.
It is undoubtedly much less experimenter-friendly compared to other modern amps, though it’s just much less overwhelming. Whether enjoying uncolored or together with your very own dialed-in voice, the tone is excellent to get a solid-state amp.
While it might lack a tube amp fluidity in areas, the baits are responsive and warm. However, a number of those amp voicings around the drive station are exceptional Blackface is ideal for classic blues, while Metal is perfect for contemporary Metal and heavy rock. Still, maybe it is not eye-meltingly hefty enough to please the many committed metalheads.
Fender has worked hard to catch the fundamental character of numerous iconic guitar designs, incredibly their own. For the most part, their attempt has been quite profitable.
The clean channel of this Fender champion 100 guitar combo amp sounds like a 60’s Fender amp, like a Twin or Deluxe Reverb, with lots of headroom. The tone controls react precisely the way they need to. With only a little reverb, it is a convincing emulation of a tube circuit.
The only time the illusion breaks down is if you crank the volume to 9 or 10. It will not break up the same manner a real tube amp will. So use this station to get clean audio and change stations for distortion.
Channel 2 provides you the sounds of several of Fender’s most famous designs: 1957 Deluxe and ’59 Bassman tweeds, and 1965 Princeton, Deluxe, and Twin blackface amps.
You receive both clean and overdriven versions, with varying quantities of overdriven crunch. 1 Twin model comprises compression. It is possible to use the Gain control to produce these voices grittier, though they seem pretty awesome even with no.
The Champion 100 also comprises some British (presumably Marshall and Vox) amp models, many with a generous distortion help. For this reviewer’s ears, these seem marginally less real than the Fenders but still quite significant. Your experience may differ.
Additionally, the Champion 100 includes a few High-Gain versions for acute metal players. If that is the style, you will probably find a minimum of one voice that offers you the tone you desire.
Regardless of who you are, if you adore exact, round tones, then the Fender Champ 100 guitar amp will probably be perfect for you. It’s particularly ideal for men and women to play alongside some genres such as bar group guitarists and audio fans. We hope that our Fender Champ 100 Ultimate Review can help you know more about this amp.