D’Angelico may not be among the greatest, best-known, or even worldwide guitar manufacturers that you may know about, but they come from a solid pedigree.
Based in Manhattan, they have ever been on the move since 1932, and their earlier versions are incredibly sought after by collectors, including the likes of Eric Clapton and Pete Townsend. After a few inactive calendar years, they returned with drive in 2011, placing their names on pellets created equally directly here in the united states, and much more affordable ones are coming out of the east.
The Premier DC is an excellent guitar for people searching for a guitar that resembles that, beyond the budgetary connotations of an Epiphone. Keep reading Fidlar’s post to see D Angelico Guitars Review
Table of Contents
D’Angelico Premier DC Full Review
- Number of Strings: 6
- Left-/Right-handed: Right-handed
- Body Type: Semi-Hollowbody
- Body Shape: Premier DC
- Body Material: Laminated Maple
- Top Material: Laminated Maple
- Body Finish: Gloss
- Color: Fiesta Red
- Neck Material: Maple
- Neck Shape: C
- Radius: 14″
- Fingerboard Material: Ovangkol
- Fingerboard Inlay: Mother-of-Pearl Acrylic Blocks
- Number of Frets: 22, Medium
- Scale Length: 25″
- Nut Width: 1.6875″
- Nut Material: PPS Plastic
- Tuners: Rotomatic Stairstep
- Neck Pickup: Seymour Duncan Designed HB-102N Humbucker
- Bridge Pickup: Seymour Duncan Designed HB-101 B Humbucker
- Controls: 2 x volume, 2 x tone, 3-way toggle pickup switch
- Strings: D’Angelico, .010-.046
- Case Included: Gig Bag
- Manufacturer Part Number: DAPDCFRCSCB
The distinction between D’Angelico and the remainder of these men is the brand was born in NYC in 1932, a location and time in which Art Deco was a living, breathing thing.
In reality, the greatest expressions of Deco decadence, the Empire State and Chrysler buildings, were just a year and two years old when jazz archtop godfather John D’Angelico broke ground onto his workshop in 40 Kenmare Street in Manhattan’s Little Italy.
D’Angelico constructed 1,164 tools before his death in 1964. While his hollow-body archtop jazz guitars are considered some of the greatest ever produced, the DC version that has become our clutches is a slim-bodied semi-acoustic. It goes back to D’Angelico’s entry-level Premier range, which also can be a double-cutaway.
Semi-hollow enjoy your classic Gibson ES-335; there is a significant wood center-block adding fat to the DC’s laminated walnut carcass. It’s 44mm deep sides and steps 406mm across the widest point of the human entire body.
Straight in the added padded gig bag, the guitar plays well with a moderate to low action.
The glued-in neck is hewn from walnut and features a slender C profile, rosewood plank, block inlays, and 22 medium jumbo frets. The best nuts are created from the finest PPS. That is vinyl to you.
Finished at a typical gloss black, the Premier DC is essentially a 335-style guitar using a fancy headstock. The hardware provides no openings using a mounted tune-o-Matic – no roller saddles now – partnered with an equally stable stop tailpiece.
Pickups are the same D’Angelico buckers spend on recently-reviewed Bob Weir SS, just here you do not get his master quantity and coil splitters.
Before we set about plugging in, let us tie up some loose ends. The DC includes a major headstock emblazoned with lovely mother-of-pearl D’Angelico emblem and an Art Deco Premier shield.
It may state new York’ on the emblem, but the price should hint that this guitar was not born from the Big Apple. An unsightly decal on the opposite of the headstock shows the reality. Production has migrated out of Little Italy to Indonesia.
- Great balance of quality and price
- D’Angelico’s own-brand hardware and humbuckers are great
- Construction cannot be faulted
- Great for playing a range of styles
- Some design aspects might be too ornate for some
- Lacks the contemporary brand presence of other manufacturers
Even the Premier DC is a nice looking guitar, even though I have my reservations regarding if the elaborate, possibly even gimmicky made parts will hold together.
The neck joint on the Premier looks fine. It is a beautiful illustration of some impeccable artistry. Indeed, something that the company can be proud of. Very tidy, flush with the body, no battle scars from trying to get it set up.
I was poking around the hardware and that which appears firmly attached. I am particularly taking a look at the humbuckers: I am interested in what they will sound like, but more about that in a little bit.
Peering down the amount of the throat, and that which appears straight and even. I especially enjoy the cube inlays. I believe they add a real part, of course, and something less common about the Premier’s Gibson and Epiphone counterparts.
My principal conclusion, having considered that the components and construction are if it had been necessary. Is the sole reason why it costs more than the Epiphone but significantly less than the usual Gibson is that it’s these embellishments but is still made from the east?
I must say, I am impressed with all the construction, but I am still not sure about the hardware layouts. But we are going to deliver it to the genuine test: how it seems.
Running through some things before plugging in all, I found a bit of fret buzz on the low E string. It is not unusual, and it is nothing a setup won’t remove, but it is better to know it is there. I would not have captured that when I had plugged directly in.
I am using my typical amp, a British-style, 15 watt, all valve event, which is, in fact, only the loveliest. I will stone my customary EQ settings: bass, middle, and treble every at six, which generally get me to where I need.
In all honesty, that type of amp appears to be about right for the sort of player who will be taking a look at the Premier. It is beyond strong nations and hybrids, although not large and pricey.
I ran it through my clean station. The bridge pickup did not seem threatening. I am not fond of bridge pickups, actually, but that was OK.
I could envision it moving nicely with some funk. Shifting up to participate equally pickups, and it was an excellent full, warm sound. IT is well-paired with some impact, such as reverb, chorus, or delay, but only slightly.
On the overdrive channel, I put the profit to six, and I was not disappointed. With both pickups participated, you can nail a fantastic rock solid for riff and chords that are open, using lots of beams left for a few fantastic bluesy-sounding solos. That is all I want!
Directly in the added padded gig bag, the guitar plays nicely with moderate to low actions. The DC teeters on the scale in 3.7kg – that is 8lbs and 14 oz to all those of you watching in black and white.
In case a gutsy fly landed on the headstock, you would be reeling at a nine-pounder. The fantastic news for the ears – if not your shoulders is the excess heftiness is evident from the guitar’s tonal output.
Acoustically, it is loud and owned by remarkable sustain. Plugging in, we are stuck with the punchiness of its pickups. Info on those items is slim on the ground, but they seem like strong ceramic magnets in the marketplace.
No matter them, we have a persuasive country, jazz, blues you name it tones clean settings, and fantastic stone and metallic sounded once we stepped on the gas. Can a metalhead utilize a fair semi such as the DC? We do not understand why not.
We enjoy the texture and tones available, but this is only one more mid-range 335 reboots past that gorgeous headstock. It is capable instead of exceptional.
That all said and done, if you’re trying to find a fantastic quality semi-acoustic, you will want to consider as many choices as possible. This means you want to get this guitar on your own must-try’ list.
Concerning neck profile and standard design, the Premier is a comfortable guitar to play with. It is not too heavy either it might take some time for it to find uneasy in a gig!
The neck and fingerboard are smooth and straight, with all the binding averting any sharpness or grabbing all great.
A lot of its playability, however, will return to its flexibility as a tool. In the previous section, I said funk, rock, and blues. The software to the Premier would reach much beyond this without too much work.
Bearing that in mind, it might be a fantastic guitar for somebody playing in a group that produces a combination of styles, who might have to jump from one to another, or within a function band that has a lot of styles to pay.
It might not be as recognizable a title as Gibson, Epiphone, Gretsch, or even some of those other manufacturers that make likewise styled guitars. Still, D’Angelico shouldn’t be neglected if you’re searching for such a version.
It has the looks and tones, and so is comfortable to perform. Best of all, about its tone, is how flexible it is. I can easily hear this on everything from state, to funk, to metal, and everything in between.
I will not pretend that D’Angelico’s twist on hardware layout will probably be to everybody’s tastes, but beauty is in the eye of the beholder and all that.