Boss Katana 50 Review 2021: Top Full Guide

Boss Katana 50 Review 2021 Top Full Guide

The Boss Corporation is a comparatively young Japanese manufacturer of electronic equipment set in Japan several46 years ago. Slow, but they’ve earned quite some renown by making world-class guitar effect pedals that are virtually interchangeable with their name today.

Some of the oldest pedals were B-100, OD-1, and PH-1, all of which have suffered’ enormous upgrades during the years.

Among the most significant things about Boss electronic equipment is they’re practically excellent for all types of musicians. Irrespective of what genre you want to follow and perform, Boss amps will almost certainly have an amp, effects pedal, or looper pedal for it. Keep reading Fidlar’s post to see our Boss Katana 50 Reviews.

Who’s This For?

The Boss amp Katana is intended for each guitarist searching for a right, stage-ready tone on a budget. The amp is a favorite with individuals who wish to downsize their thick tube-rig while maintaining great noises.

The Katana amp also seems great at bedroom levels because of the capability to change the wattage. Therefore it’s the bonus of being suitable for home-usage.

At length, the Katana sparks audio over USB so that it makes for a fantastic amp for home recording and seems better than a lot of the very popular amp sims in the marketplace.

Boss Katana 50 Guitar Amplifier Review


  • 50 / 25 / 0.5 Watts
  • 12″ Speaker
  • 3-Band EQ
  • Up 15 Effects Saved, 55 Total Effects Selection
  • 1 Foot-Switchable Port for Channel Select or Expression Pedal
  • Software Control via USB

Fundamentally, Boss katana ktn-50 watt guitar amp has numerous consequences. You will want months to be able to give all of them a shot. There are loads of springs, controls, purposes, presets, stations, and comparable knobs. It would be almost impossible not to get the tone you’re searching for.

Boss Katana 50 Guitar Amplifier Review

What is more, each of the KTN-50’s tones and impact types is constructed after Boss pedals and constructed with several recognizable Boss technologies. Therefore it is very safe to say this can be an all-in-one amp for nearly all events.

BOSS KTN-50-2 Katana-50 MkII-50-watt 1x12 Guitar Combo Amp (KTN-50-MK2)
  • 50/525/0. 5W 1x12" Guitar Combo Amplifier with 5 Amp Voicings
  • Cab-emulated Headphone/Recd Output
  • 4 Tone Slots
  • 60 Effects
  • USB


This amp features a standard box layout. It is relatively significant to get a boss katana-50 amp, but it is not too bulky, so you don’t require lots of space to keep it properly.

The construction material of which it had been constructed, however, is comparatively soft. That does not imply that it is flimsy or something similar, but it does imply that if you reach it, it is going to show. It requires meticulous care.

Boss Effects Onboard

There are many effects it is possible to use onboard, such as a variety of boosters, reverbs, delays, distortions, and much like. Although they’re in prosperity, these impacts are straightforward to have fun with.

There is a total of 55 effects, all of which are customizable. Atop the typical effects, you will discover many beautiful ones, for example, pitch shifters, slicers, mods, and then a few. There are, nevertheless, certain boundaries to the advantage of flexibility.

Significantly, you may use three effects at the same time, and you can not use a couple of identical types simultaneously (as an example, you can not utilize two MOD effects simultaneously ). What’s more, there’s a limit to just how much tweaking you can do all on your own.

That is where the tone of Central’s online site comes into action. You may use the free FX installations for KTN versions if you are using a gig and do not have enough opportunity to set this up all on your own.


The Boss Katana includes a distinctive compact design. The appearances of this amp are incredibly minimal, so you could easily walk past this at a music shop, but it is so hot, the odds of this happening are relatively tiny.

The cabinet is constructed from excellent MDF wood. It’s quite sturdy yet light. The most crucial cab is coated in a plastic skin reminiscent of to lex but considerably smoother and more problematic.

The surface of the amp is constructed from a tough, black fabric that will withstand any abuse. A metal s emblem is placed on the fabric’s peak, using all the mark 2′ emblem below it.

The knobs are located on the peak of the amp, slightly recessed into the cupboard. The majority of the knobs are comfortable with rounding hinges, and there is one chicken-head fashion knob.

There is also a handy carrying handle on the peak of the amp. The handle is made from a sturdy rubber substance.


The acoustic’ station is intended for acoustic guitar, and it is a mix between the clean channel and the direct sound of this guitar. Today, many people prefer to use this station for electric guitar with pedals others say that it blows off the tone.

The black’ station is precise as advertised. It is spotless at low gain and thick and lovely at a more significant gain.

This station may be used for everything from twangy country tones into the glass, unique John Frusciante tones. This station also works well with pedals, as does the acoustic’ channel.

The pinch station is a bit thinner looking compared to the blank, and it is the least great sounding station in my view. This does not mean it is terrible, but it is not as impressive as the remaining channels.

The direct station is fundamentally the same as the crunch station, except somewhat thicker and with a great deal additional profit. This station is excellent for crisp tones at a reduced gain and also a legitimate shredder in high-gain.

The consequences are excellent sounding. The analog effects seem quite natural, and the digital effects are incredibly significant.

The entire collection of consequences is quite lengthy, and there are variations involving the very same consequences.

As in, there is a spring reverb, plate reverb, regulating reverb, etc. And there is an electronic chorus, computer keyboard chorus, and numerous ways, flangers, etc.

The list is quite extensive. Most of the outcomes are based on Boss’s very own saddle, but pedals such as the ProCo Rat or even the Ibanez TS9.

Sterile, this amp seems hot. It seems really near a tube amp, particularly to the clean channel. As I said, the EQ has a fantastic selection, it could go from super boomy to exceptionally tinny, and everything in between only in the EQ controls.

The high-gain seems a bit more challenging to tame, however. I recommend not using the booster for classic low-gain overdrive because it moisturizes and moisturizes the tone very powerful. The EQ is not as important here.

For very high-gain, employing the booster is crucial. It is very tough to find a tight contemporary sound with no booster. Fortunately, the boosters are incredibly lovely and user friendly.

ve another personality. The blues-driver is ballsy and provides many advantages, whereas the Klon Centaur is tiny, more comfortable, and much more subtle, ideal for creamy lead beams.

The EQ is slightly more significant here since it’s simple to get it into seem carbonated with a lot of anything. The Katana is quite versatile; it could do anything. There is a whole record of user-made presets that emulate famous tones.

In terms of energy, the Katana’s got loads. It’s a 50-watt solid-state power amp, which does not seem as much. But fortunately, Boss counts the wattage when compared with tube wattage. This means that the Boss Katana 50 is as loud as the category A/B 50-watt tube amp.

It sounds great at a low volume too. Even in the lowest possible setting on the 0.5-watt setting seems pretty damn great. This amp is quickly enough for playing bars as well as small/medium sized hallways.

The direct-out seems excellent. There is a feeling in the Tone Studio in which it is possible to set the texture’ of this guide. That has a built-in cupboard simulator for the recording.

The cupboard sim is quite great, but if you would like to use your personal, you may use the live’ setting. There is also a mix, which is just what it states: a mix between them.

For recording, it is possible to plug the headphone into your audio interface, or you could go directly with a USB. Both sound good, but if you use the USB, the sign will be entirely silent, which may be a problem.

Overall, the Katana sounds very generous. This is the most significant part of an amplifier, and Boss knocked it out of the park for this one.


This amp does wonders when it comes to recording. Outstanding flexibility and the Tone Central website provide you with almost infinite opportunities to obtain the tone you want and record it right away.

This is the area where KTN-50’s cleans get to cover off since this amp chirps and participates in a pristine manner when appropriately trained.


If Boss Katana 50 is well worth the cost or not, the solution is a big yes with no reservations. It is a relatively affordable amp that packs a significant collection of features, boasts enormous heights of flexibility, and it is accurate tone is far from becoming electronic per se.

Even though some work is to be carried out to love what this amp can do to you completely, it is not just worth time and cash; it is a keeper. This amp will serve you until you decide it is time to get a boutique version, which may take a little while.

Last update on 2020-12-21 / Affiliate links / Images from Amazon Product Advertising API

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