The condenser microphone is a name that is too familiar to all artists and musicians because of its exceptional sound quality and sensitivity. They generally have a broader frequency response and better transient response than dynamic microphones.
This type of mic operates on the batteries or is connected directly to the power source, so they are often used in home studios and places where noise is controlled. When choosing to buy an electric cylindrical mic, you will come across many products from many brands on the market today.
Do you know how to choose the ideal mic for you yet? If not yet, this is precisely where you have to go; here, Fidlar has compiled a list of the Best Condenser Mic 2021 and notes for beginners.
Condenser Mic Buy Guide
Most men and women believe this vocalist’s skill level or a tool player gives excellent records, and that’s part of it. However, a mic can make or break the standard of your home recordings. Selecting the right one is crucial. Most of us recognize that the mics mostly come in two forms, dynamic, and condenser.
Condenser mics have a far better audio quality than dynamic mics. The mic plays an essential part in the standard of your recordings, t so that you need to do a little digging before hitting the stores. Below are a few critical considerations to bear in mind.
The Frequency Response
The most significant aspect to consider at a condenser mic is the frequency response. It permits you to listen to the smallest of information on your records. The frequency response to a mic may be horizontal, tailored, or complete.
To pick the ideal frequency response, you have to bear in mind that your mic’s program. By way of instance, if you are performing an instrument home recording, then you will need a set frequency response.
Flat frequency response signifies what goes to the mix: what comes from it and everything you may hear. This is undoubtedly the one for you if you anticipate doing a lot of instrument records.
What are the best microphones for vocals? You ought to go to get a mic with a broad or tailored frequency response. The overall frequency response can maximize the audio that’s set to the mic producing much clearer audio.
Deciding on the proper frequency response entirely depends upon how you’re going to use your mic. Determine what you will be recording before you decide to purchase.
The Polar Patterns
One other vital aspect to consider is the polar pattern. Various mics have different opposite ways. These contrasting patterns include Cardioid, Omnidirectional, Figure-8, and multi pattern. You need to bear in mind how you’re going to use your mic to determine the opposite way, which suits you the very best.
The cardioid polar or pickup pattern obtained its name because it looks like the form of a heart. You’ll find it in the majority of the condenser mics on the market.
This routine is considered to be the finest in regards to eliminating background noise. The cardioid polar pattern focuses on the origin facing it and rejects sounds from the back. The cardioid opposite way is right, whether employed at the studio or on stage.
Omnidirectional mics are capable of picking up sound equally from each of the instructions. Suppose you would like to get this legitimate feel from the records.
Omnidirectional mics are those for you. Keep in mind you will also pick up ambient sounds in the room. These mics are exceptionally effective at providing you the organic records that you always desired.
The Figure-8 polar pattern is chiefly utilized in-studio applications. It picks up noise in the front and rear and rejects sounds from both sides. Something you ought to remember is that these mics aren’t that powerful when utilized in almost any on-stage program.
A mic with multiple polar patterns provides you complete flexibility. You have the liberty to change over to different ways based on your requirements. 1 thing to notice here is that the mics are costly compared to solitary polar pattern mics.
Size of the diaphragm
The dimensions of the diaphragm are another crucial aspect to consider. Condenser mics come in just two diaphragm dimensions, big and small.
Large-diaphragm condenser microphones are great with virtually every program. Whether you want to record vocals or strings, brass, or percussion, all you will need is a large-diaphragm microphone to supply you with the ultimate records. Many large-diaphragm condenser mics come equipped with numerous polar patterns and pads, including those mics’ flexibility.
On the flip side, the small-diaphragm condenser microphone may not be quite as great as the big ones across different kinds of recording but are still exceptional with responsiveness.
All these small-diaphragm mics are ultra-responsive. If you want to record any device with prolonged overtones and sharp transients like an acoustic guitar, these mics are simply the ideal.
Best Condenser Microphone 2021
1. Neewer NW-700 Professional
This is a multi-purpose mic with excellent audio quality. It is OK with virtually every program you can consider. It’s a cardioid polar pattern and good sound quality. The Neewer NW-700 Professional Studio Broadcasting Recording Condenser Microphone is the best cheap microphone.
Why We Like It:
- New and improved circuitry.
- Cardioid polar pattern.
- It includes a cushioned scissor arm rack.
2. Audio-Technica AT4060 Cardioid
The Audio-Technica AT4060 Cardioid Condenser Tube Microphone for all programs. As it is a tube mic, it is that classic audio interface. Additionally, it has a high SPL capacity and is the best vocal condenser mic.
Why We Like It:
- Broad dynamic range high SPL capacity.
- Includes a dual-diaphragm capsule design that helps preserve the ideal polar pattern.
3. AKG P420
This double diaphragm condenser is filled using a set of 1″ diaphragms. Unlike other LDCs in this listing, the P420 provides the extra advantage of switching between cardioid, figure-8 along with omnidirectional patterns.
This sonic trinity gives you the flexibility to capture more expansive input sounds and possibly use it as an overall room microphone to capture a choir or a small string ensemble. This characteristic alone is sufficient to warrant the cost.
The P420 can take care of an SPL of all 155dB, one of the greatest in the listing. The way it reels in belligerent amps and loud sounds is a nod to AKGs experienced engineering.
It’s also equipped with all the standard -20dbB pad and more significant pass filter change and relatively small 79dB of signal to noise ratio. In general, it gives a balanced and transparent tone without incorporating any different color to the noise. It seems exceptionally friendly to the hardcore recording. However, it may record any other device with ample warmth and transparency.
The P420 is one of the condenser microphones best buy because of its capacity to manage many recording requirements. People that aren’t intimidated by the marginally higher price-tag stand to get a great deal of bang for the buck from this high-quality, multi pattern masterpiece of AKG engineering.
Why We Like It:
- Three Switchable Cardioid Patterns
- High SPL tames tools loudly.
- High-quality shock mount and aluminum case
- Rich tone and flexible performance
4. Audio-Technica AT2035
Constructed to a high standard, the AT2035 is a rock-solid large-diaphragm condenser (LDC) mic using a 0.8-inch capsule plus a tasteful all-black complete.
It seems sturdy, looks professional, and promises comprehensive sound representation. It ships with a classic storage pouch, a custom shock mount, along with a threaded mic-stand adaptor.
This low-noise LDC includes a fixed cardioid pattern and a frequency response of 20Hz 20kHz using a reasonably muted reaction. It needs power supply plus a standard XLR connector.
AT2035 includes a wide dynamic range capable of record acoustic drums, piano, vocals, and artist voiceovers. The HPF switch may eliminate unwanted low frequencies below 80Hz, and the -10dB pad may attenuate the incoming signal from loud sources to prevent overdriving your dreams.
Audio engineers and producers may take pleasure in the impartial and well-defined noise with marginal background sound on offer at a small price point. The large SPL makes it an excellent choice to record brass tools. It functions amazingly well as a drum overhead mic also. This is seen as the very best cheap condenser mic.
Why We Like It:
- Moderately priced, entry-level LDC
- Natural stable & sound construct
- Handy add-on features.
- Well-defined highs and lively Selection
5. SE Electronics X1
Although the price may not show it, the X1 is a hand-built, authentic capacitor LDC using a fixed-cardioid capsule and FET electronics. It’s housed in an imperial matt-black unit having an integrated black steel grille and all-metal chassis. The product ships with a swivel mic clip and stand adapter in a cardboard box (no hard case or storage pouch provided).
The gold-plated XLR connector, -20dB pad, and 100Hz low-cut change are notable product features. The 150dB SPL does a fantastic job of balancing assertive tones from cranked-up guitar amplifiers.
Head-to mind, it seems airier compared to equally priced AT2020 using a much better tone shade. The true-capacitor X1 does a stellar job in adding an outstanding sparkle (existence ) into the feel of horizontal-sounding tones.
It does a surprisingly good job listing brass tools and competitive kick drums once you participate in the HPF switch and the attenuator. The X1 could be put together with the proprietary SE Electronics Reflexion Filter to make a make-shift vocal booth in untreated areas. This combination is quite practical for voice-over artists and songwriters on a shoe-string budget.
Why We Like It:
- Fantastic features and inherent tone color
- High equipment to price ratio: Great value for money
- Responds well to vocals and acoustic tools
- +1 for your Project Studio Reflexion filter
6. XML 770
The XML 770 is a small diaphragm condenser mic (SDC) with a strong standing in the entry-level mid-market. Right off the bat, you can observe an improvement in the MXL 990 layout. It’s a black finish with gold detailing that provides it a professional vibe.
The chassis construction is rock-solid; however, the streamlined shock bracket does feel somewhat flimsy. The product ships with a foamed-padded plastic case along with a flexible shock bracket.
The XML 770 has an HPF and -10db pad switch on the microphone’s rear along with a low-noise FET preamp on the interior. It gives the standard fare of a cardioid polar pattern, 15/mv/Pa density, a 30Hz to 20kHz frequency range using a reasonable maximum SPL of 137dB.
The fixed cardioid pattern reacts when the origin is positioned in the front of the microphone. The -10dB pad provides adequate rope to get maximum output or loud tools, and also, the HPF does a fair job at rolling off several unwarranted lows.
Apart from looking stunning, this is a podcast-friendly microphone that does a fantastic all-around task of recording acoustic instruments and vocals. The XML 770 has a balanced mix of brightness and warmth, which may bring out clarity in most vocal recordings. All in all, the combination is quite low-noise, although not sufficient to call it dead quiet.
Why We Like It:
- Study construction & swanky looks
- Rich and bass response
- Sensitive Reaction to EQing
- High price to quality ratio
7. Audio Technica AT2020
The AT2020 was the best budget microphone. This nifty-looking condenser is a streamlined offering that has a rock-solid construction plus a reliable metallic grill.
It ships with a threaded bracket rack that is well-constructed and provides firmness when you pivot or place the mike. No storage instance is provided with the purchase price.
In terms of the spec, the AT2020 has a cardioid polar pattern sensitive to noise from the front and reduced to minimal sensitivity to back or side resources. The selection of 20Hz to 20kHZ and SPL of 144dB provide a vast selection and a fairly exact representation of listed material.
It functions equally well in a significant number of scenarios where the microphone is static and stable. With the accession of a pop-filter, it compliments many outspoken recordings with some heat from the mids and much more presence in the highs.
There’s noticeable but not considerable sound in the output signal, which can be marginal in close-mic scenarios. Surprisingly, it works well in managing many acoustic instruments, especially guitars, without producing any fragile highs. But you need to locate the sweet spot for making the tool.
Why We Like It:
- Sturdy Construction
- Ideal for Beginners
- Reasonably balanced tone and texture
- Pocket-Friendly Value for Money
8. AKG P220
Since the humblest offering of this Perception Series, the P220 is AKG’s concentrated effort to catch the entry-level sector. The P220 is a rocky large-diaphragm condenser (LDC) with a die-cast chassis in a matte black finish.
This microphone includes the do-all mindset of this P420 and provides an equally flexible profile. This product also ships with a solid aluminum case plus a solid shock bracket.
This is the less expensive version of this P420. It merely has a fixed cardioid polar pattern. A recessed switch permits you to trigger a -20dB cut and HPF to tap the reduced frequencies.
It has a frequency response of 20Hz to 20kHz joint a powerful 155dB SPL that outshines most of the contest in managing aggressive sound resources.
Performance-wise it’s an assortment of applications in the studio. It delivers a warm, crisp, and clean recording that works right for vocals. It may manage acoustic amps and guitars with equal fortitude and clarity.
But when you’ve got the budget, you may measure up to the P420 because of its dual-diaphragm, which will provide you three different patterns to your excess cost. Otherwise, the AKG P220 can readily function as a one-stop mic for much LDC-related use. It is probably the very best affordable condenser mic.
Why We Like It:
- Fantastic to handle competitive instruments
- Clear and translucent tone
- Versatile functionality
- Fantastic Value for Money
9. Rode M3
The M3 is a miniature ultra-low sound, cardioid polar pattern condenser that hardly spans over an inch in diameter. Regardless of the small dimensions, this black mike appears trendy, contemporary, and durable. It ships with a black pouch for storage, a windscreen, and a mic stand adapter.
It has a frequency response of 40Hz to 20kHz and a maximum SPL of all 142dB. There’s a flick button on the microphone that toggles between a horizontal reaction plus also a low-cut filter.
You have to unscrew the home to get the 9v battery compartment, which can power the unit to get 200+ hours. This is ideal for field records where phantom power isn’t available. Right beneath the room, within the home recording, there’s another chance to toggle the shallow cut between 0dB, -10db, and -20dB.
The M3 is a powerful choice to record electric guitar amplifiers. It appears to do the very best job of documenting the acoustic guitar out of this listing of 12. The design is straightforward, crispy with resonant highs.
It manages to catch the assault of the guitar select without sounding harsh. The low-cut windshield and very low sensitivity to background sound make this a perfect tool for location-work. All in all, the mix sounds complete and translucent with good highs.
The M3 remains a favorite alternative for location work and as a studio tool microphone. The same as the M5 pair, this small-diaphragm microphone outperforms the competition in tone, clarity, and cost-to-performance ratio.
Why We Like It:
- High-quality technology and Construction
- Best recording microphone for acoustic guitars
- Ultra-low noise and Higher SPL
- Handles background and wind sound well in field records
- Small tool Enormous bang for the buck!
Best buy condenser mic
10. AKG Pro Audio C1000S
AKG has relaunched the new-improved CS100S (depending on the first 1980s version) within an end-fire format using a cast-alloy navy blue body and foam-lined mesh. It ships with a canvas storage pouch, stand clip (no shock bracket ), a foam windshield, and two plastic taps.
The first pattern-altering apparatus (widget) does a fantastic job of changing the existence in the 5-9 kHz range. The next one lets you switch from cardioid into hyper-cardioid by putting it on the capsule. Unfortunately, you have to unscrew the home to attain this.
Besides, that has an SPL of 137 dB with most of the presence summit living in the 3kHz to 10kHz range. Additionally, it features an 80Hz low-cut along with the -10dB pad, which operates quite well.
But accessing them requires one to unscrew the device to get a change in the battery compartment. Speaking of batteries, two AA batteries may use that power the tool for 120+ hours. This is probably the very best microphone in the world.
Why We Like It:
- Can you function using batteries for up to 120 hours?
- Sturdy Construction and helpful end-fire format
- Admirable for recording acoustic devices
- Great for studio records AND a live performance
Just how long do condenser microphones last?
20-30 Decades Even electric condenser mics (that have been known to lose their charge over time) must continue at least 20-30 decades. Signs of aging include more excellent sound as dirt collects on the capsule and decreased sensitivity because the electric charge gets weaker.
Which MIC is a much better condenser or dynamic?
Generally, condenser microphones show a greater sensitivity compared to dynamic microphones. Quite merely, if the mic must handle very high sound pressure levels (SPL), then it’s ideal for picking a unit having a very low sensitivity, whether it’s a condenser or a dynamic mic.
Could I use a condenser mic reside?
Condenser microphones are most frequently found in recording studios. But lots of condenser mics are presently being utilized in live sound environments. This arrangement produces a capacitor, with the rear plate getting its electrical charge from an external power supply.
Will condenser mics need to heat up?
Thus, will condenser microphones need to warm up? The solution is: Not necessarily! This makes a difference if you allow ghost power to excite the capsule for at least a moment before you begin using it. This is only because you need those 48v to find the whole circuit moving.
Is it awful to depart microphones out?
The most probable source of harm to your mic is inadvertently dropping it on the ground, which is quite likely to occur when placing it on or taking off a rack! So, supposing you have space to leave your microphone on its stand, it is not a terrible thought.
Does Rode NT1 need phantom power?
The NT1-A necessitates P48 volts or P24 volts phantom power. In case the mixer or preamp doesn’t include this ghost power condition, then an external power supply source is necessary. Some ghost power supplies don’t provide the voltage in which they’re rated.
You have just come across our list of the best condenser microphones, choosing the ideal for your goals and budget. Our experts have thoroughly tested every product that appears on our list, and customers appreciate them in online stores. You certainly can’t go wrong with any of our selections.
Lastly, keep in mind that each polemic usually operates under a 48v power supply, so make sure your audio interfaces can handle this.
Last update on 2021-06-25 / Affiliate links / Images from Amazon Product Advertising API