Karaoke and ’80s audio is a match made in heaven, but what exactly would be the absolute best tracks you may select if it is your turn to buckle out? From “Bohemian Rhapsody” to “Take Me,” let us rank the absolute best 80s karaoke songs that are guaranteed to win the audience over every moment.
Table of Contents
- 1 Best 80S Karaoke Songs Of All Time
- 1.1 1. “Another One Bites The Dust” By QUEEN
- 1.2 2. “Modern Love” by David Bowie
- 1.3 3. “I Want to Dance with Somebody” by Whitney Houston
- 1.4 4. “Free Fallin” from Tom Petty
- 1.5 5. “When Doves Cry” by Prince
- 1.6 6. “Bizarre Love Triangle” by New Order
- 1.7 7. “Pour Some Sugar On Me” by Def Leppard
- 1.8 8. “The Sweetest Taboo” by Sade
- 1.9 9. “Push It” by Salt-N-Pepa
- 1.10 10. “In the Air Tonight” by Phil Collins
- 1.11 11. “Everywhere” from Fleetwood Mac
- 1.12 12. “Tugboat” by Galaxie 500
- 1.13 13. “Super Freak” by Rick James
- 1.14 14. “What Have You Done for Me Lately” by Janet Jackson
- 1.15 15. It Takes Two by Rob Base and D.J. E.Z. Rock
- 1.16 16. “Sweet Child o’ Mine” by Guns N’ Roses
- 1.17 17. “Time After Time” by Cyndi Lauper
- 1.18 18. “I Think We’re Alone Now” by Tiffany
- 1.19 19. “End of The World as We Know It” with R.E.M.
- 1.20 20. “She Drives Me Crazy” by The Fine Young Cannibals
- 1.21 21. “Faith” by George Michael
- 1.22 22. “Buffalo Stance” by Neneh Cherry
- 1.23 23. “The Power of Love” by Huey Lewis & The News
- 1.24 24. “Livin’ on a Prayer” by Bon Jovi
- 1.25 25. “Beat It” by Michael Jackson
- 1.26 26. “Sweet Child o ‘ Mine” by Guns N’ Roses
- 1.27 27. “Total Eclipse of the Heart” by Bonnie Tyler
- 1.28 28. “Tainted Love” by Soft Cell
- 1.29 29. “Pictures of You” from The Cure
- 1.30 30. “Don’t Stop Believin” by Journey
- 1.31 31. “Down Under” by Men at Work
- 1.32 32. “Where’s My Head?” by Pixies
- 1.33 33. “Just a Friend” by Biz Markie
- 1.34 34. “Under Pressure” by Queen & David Bowie
- 1.35 35. “West End Girls” by Pet Shop Boys
Best 80S Karaoke Songs Of All Time
1. “Another One Bites The Dust” By QUEEN
The bass will remind everybody of this tune.
You can not help but tap your toes to the rhythm of this tune. Additionally, Freddie Mercury is one of the best 80s songs. Get your funkiest costume outside; it is time to do as a legend.
2. “Modern Love” by David Bowie
Bowie was all over the area throughout the 80s: duetting with Jagger, clambering to spandex for Labyrinth, becoming buried alive for Merry Christmas, Mr. Lawrence, and finally embarking to a midlife crisis that led to a stressing beard and Tin Machine.
However, before that, he was able to put down a number of this decade’s greatest tracks, such as this nihilistic, Nile Rodgershelped soul boogie out of 1983. We defy your toes to remain on the floor because that cyclical, cynical, and irresistible chorus hurtles on.
3. “I Want to Dance with Somebody” by Whitney Houston
Back in 1987, Houston was very much a fresh-faced siren using the crystal-clear voice along with a universe of possibilities at her toes.
Her approach for this tune that, if you break down, it is much more about isolation than adore says a good deal about her capacity to radiate positivity and warmth through her unique sound.
It is miles away from the conflicts that the singer could face later in her profession. Consistently a party starter and roof-igniting karaoke jam, the tune becomes a bittersweet rallying cry from her passing years.
You can almost hear a 23-year-old grinning through the chorus, advocating every previous wallflower onto the dancing floor. Who can resist?
4. “Free Fallin” from Tom Petty
Is there anybody who does not enjoy this tune? The famously cantankerous Lou Reed adored it, as did Tom Cruise’s go-get-match titular character in Jerry Maguire (who, without any sympathy, does not look like the most inspecting music listener).
And to this day, we are gambling the fanbase for its breezy sing-along fave (co-written by Jeff Lynne) still runs the gamut from get-me-out-of-here teenagers to the fathers they believe are helpless, and out of snobs who would not be caught dead doing karaoke night to folks who live for this.
5. “When Doves Cry” by Prince
As a cocksure adolescent, Prince passed four major-label album deals, demanding artistic liberty until Warner Bros. allowed it. Years later, he’d infamously scrawl “slave” on his cheek and emancipate himself out of his name, speaking to himself with a proto-emoji. And the sharp crack of a proverbial whip yielded some spectacular effects in 1984.
Even the Purple Rain soundtrack has been regarded as complete, but the manager wanted a power ballad to put over a montage of national discord. Prince whipped two songs immediately, the winner “When Doves Cry.” With this short time, he did not bother using a bassline.
Debussy once mentioned, “Music is the space between notes,” Prince decked the emptiness with silk and eyeliner. It’d be the pinnacle of the profession. There is something to be said for getting a supervisor.
6. “Bizarre Love Triangle” by New Order
Everything at a New Order tune is a percussion instrument, by your metronomic drumming to Peter Hook’s bass lines into the synth matches to Bernard Sumner’s rhythmic sigh-singing.
That is why the ring is going to be a dance-floor killer before a comet demolishes us. Every part in the tune is one of the best karaoke songs of the 1980s. The group was mining home music broadly enough to join a union in Chicago to always balance disco bliss with depression in authentic Mancunian fashion from the middle of the decade. A New Order single resembles if the structure was flush using hormones.
7. “Pour Some Sugar On Me” by Def Leppard
A sleeper hit to its English heavy-metal group in 1987 (it did not get much play before the group recorded a promo code for the North American launch ), this song is one of the band’s most adequate efforts.
The sexual innuendo is awesomely over-the-top (did any teenager couple from the’80s not get out to this tune?), but the chorus was written while singer Joe Elliott and his producer had been discussing a cup of tea with sugar. So there is that.
8. “The Sweetest Taboo” by Sade
Sade is just so damned smooth. It would be easy to be consumed by envy if we weren’t all being lulled into a dopey, two-stepping, love-drunk stupor. The Nigerian-born, U.K.-raised singer-songwriter is in top form on this hit single from her multi-platinum-selling second album, Promise. When it comes on, you’ve got no choice but to relax and drift off into the quiet storm.
9. “Push It” by Salt-N-Pepa
Complexity, be damned! Sometimes all you need for a memorable hit is market, as proved with this stone-cold classic from 1988. On “Drive,” all-gal Queens hip-hop trio Salt-N-Pepa made soda magical via a seemingly straightforward blend of Casio beats; some large, dumb computer keyboard stabs; and plenty of passionate, unkind cries of”Ooh, baby baby.”
10. “In the Air Tonight” by Phil Collins
You would believe Mike Tyson air-drumming into Phil Collins’s 1981 trademark hit at The Hangover would have somehow sapped “In the Air Tonight” of its eerie strength.
But the tune, with all the Genesis drummer, flipped solo hit maker’s post-divorce bitterness, nevertheless unfolds with a stunning strain worthy of Stanley Kubrick, layering haunting guitar wisps, pillowy synth chords along with Collins’s ghostly vocoder lead turn on a rudimentary Roland CR-78 beat. Oh, and there is also the small matter of the best drum load in pop history in the 3:40 mark.
11. “Everywhere” from Fleetwood Mac
Rapture. That is “Everywhere” in summary. Sung from Christine McVie, this yummy swoon of a tune appears on the group’s 1987 album Tango in the summertime, and it is the type of track that must be performed three or more occasions in a row, preferably on a road trip between a great deal of singing together, to achieve gratification saturation.
12. “Tugboat” by Galaxie 500
The very first single ever recorded from the indie-rock outfit, “Tugboat” consists of just two championships, a few startling legends about not needing to do a lot of anything, save being a tugboat captain (a reference to the Velvet Underground’s Sterling Morrison, an obvious hero), and that is about it.
Yet within these self-imposed limits lies something genuinely dreamy, together with the tune rising and falling like the sea, propelled and dimmed by the trio’s delicate chemistry.
13. “Super Freak” by Rick James
Catchier than a flytrap, more sordid than your wildest night outside, Rick James struck on the summit of his profession with all the crazy funk of “Super Freak.” An international hit in 1981, the celebrity’s signature tune finds him joined by the powerful Temptations on backing vocals such as James’s uncle, Melvin Franklin. That sampling by MC Hammer can not diminish its greatness.
14. “What Have You Done for Me Lately” by Janet Jackson
You might be forgiven for believing Janet Jackson appeared as a fully-formed celebrity, but her first two records were met with mixed reviews and achieved only modest success.
All that changed with “What Have You Done for Me Lately,” the lead single from her third attempt, Control. Having a no-nonsense mindset and a few killer dance moves (Paula Abdul choreographed the movie), Jackson established herself as one of R&B’s top innovators and a girl. They wavered, afraid to demand what she deserved.
15. It Takes Two by Rob Base and D.J. E.Z. Rock
“I want to be taken now / I’m Rob Base, and I came to get down / I’m not internationally known / However” Those people who are 80’s children are probably singing this tune to our subleased in 1988; it was that the debut tune to the very first period of Y.O.! MTV Raps.
16. “Sweet Child o’ Mine” by Guns N’ Roses
This tune is the next single from Guns N’ Roses debut album in 1987, Appetite For Destruction. It had been their first and only number one, and it’s famed for the guitar riffs. Three years later, it’s still adored by the folks that grew up in the 1980s.
17. “Time After Time” by Cyndi Lauper
This tune was sung by this American singer/songwriter on her debut album. She’s So Unusual. It had been her first number one song in the U.S.A. For many people that grew up in the 1980s, it’s a traditional slow tune that’s considered a powerful tune in the decade.
18. “I Think We’re Alone Now” by Tiffany
Tiffany created this Tommy James and the Shondells tune popular back in 1987. She left it a teen anthem, which has been a chart hit. A mall excursion ” Celebrating the Great Life Shopping Theater Tour 87″ ensured which Tiffany and this tune would always be on top 80’s song listing.
19. “End of The World as We Know It” with R.E.M.
This song appeared on R.E.M.’s 1987 record Document. Back in 1987, it had been released as a single and was 69 about the U.S. Billboard Hot 100. This course is well-known because of its “quick-flying flow of consciousness with lots of varied references” It’s called ab “punk-ironic beat poem.”
20. “She Drives Me Crazy” by The Fine Young Cannibals
The Fine Young Cannibals published this song in 1988, and it’s on their 1989 album The Raw & the Cooked. It became extremely well known in their home nation, the U.K., and other nations. And in several different nations. They re-released this tune in 1997 in their record entitled The very best 80s songs.
21. “Faith” by George Michael
The jukeboxes and leather coats in this movie contain have old-time rock and roll motif. It’s a component of George Michael’s debut solo album of the identical title he published in October 1987. It held that the number one spot on Billboard’s Magazine top 100 lists for four months.
22. “Buffalo Stance” by Neneh Cherry
Neneh Cherry is the stepdaughter of jazz musician Don Cherry. The song’s name is all about a group of musicians, models, and musicians launched by stylist Ray Petri. The stance identifies many people who are posing for a photoshoot at a London fashion magazine.
23. “The Power of Love” by Huey Lewis & The News
In 1985this group made this tune only for the film Back to The Future and one of the best 80s love songs. It gave this band their first number one hit on the U.S. Billboard Top 100 listing. This tune was nominated for a Grammy award for Best Original Song in the 58th Academy Awards.
24. “Livin’ on a Prayer” by Bon Jovi
This tune is Bon Jovi’s next chart-topping tune from their album Slippery When Wet. It premiered at the end of 1986 and has been quite common. It’s this group’s signature tune that sold 800,000 copies in the USA. In the year 2013, it had more than three million electronic downloads.
25. “Beat It” by Michael Jackson
This tune was on Michael Jackson’s sixth record in 1982. Michael Jackson and Quincy Jones produced it collectively. The video for the tune is well-known because of its music movie in which Jackson brings together two gangsters together through the power of dancing and music and Eddie Van Halen’s guitar solo.
26. “Sweet Child o ‘ Mine” by Guns N’ Roses
If you are in an’80s cover band and are not enjoying this tune on a nightly basis, there is absolutely no way you are not. Of each of the legendary guitar riffs on this listing, the starting line from “Sweet Child o’ Mine” carries the air-splitting cake.
The next single from Guns N’ Roses’ shining introduction, 1987’s Appetite for Destruction, had been the group’s first and only number one. Over three years on, it never fails to make us shout our idiot hearts out about the dancing floor.
27. “Total Eclipse of the Heart” by Bonnie Tyler
Nobody writes grandiose heartbreak such as Jim Steinman, and he has never done it better than in this crush 1983 epic ballad for its raspy-voiced Welsh belt better Tyler. “Total Eclipse of the Heart” was initially conceived as a song for a vampire showed up afterward in Steinman’s 2002 Broadway fiasco; the dance of the Vampiresalong with its gothic underpinnings are front and center from the tune’s lurid video.
That is longing to a supernatural scale, and Tyler holds her own against the thundering arrangement as she roars out a number of the very quiet despair ever called best 80s pop songs.
28. “Tainted Love” by Soft Cell
Turning jaunty Motown affects into freezing synth-pop may seem like blasphemy, but that is precisely what English duo Soft Cell did as it coated Gloria Jones’s 1965 unique stomper in 1981.
Ditching the first’s power for Marc Almond’s cut-glass tones and unashamedly machine-driven melodies, Soft Cell’s version shortly became enormous, paving the way for the those’80s synth-pop explosion which followed.
29. “Pictures of You” from The Cure
The’80s weren’t a period of subtlety. As it came to emotion and hair, more significant was always better. The Cure frontman Robert Smith had both summoned the latter into catastrophic impact in this single from the group’s 1989 masterpiece.
Disintegration. Smith’s poignant songwriting was just like a baptism inviting the lovelorn to allow the layers of reverb-laden guitar to spill over their heads and then bathe away their pain.
30. “Don’t Stop Believin” by Journey
With this stage, you know where you stand with this one: You hear Jonathan Cain’s piano intro, and you swell with pleasure or wince in pain.
Whatever your take, you are going to get blindsided by an emotional steamroller: four moments of undiluted underdog longing along with a portrait of unidentified lost spirits praying for luck and enjoy on the roads of non-South Detroit, starring Steve Perry’s scarily. This song reflects the apex of all scream-along arena-scale pop-rock.
31. “Down Under” by Men at Work
This 1981 platinum-certified only is Australia’s unofficial national anthem, including country pride, tons of local slang (“fried-out Kombi,” head full of zombie), as well as the song of a famous Aussie children’s tune, “Kookaburra,” for the flute part.
Insanely well known in its home nation, the tune also made waves globally, changing millions of copies and getting an immediate karaoke classic. We will still pass on this Vegemite sandwich, even however, thanks.
32. “Where’s My Head?” by Pixies
Has a drum debut ever seemed this large? Those memorable snare pops come courtesy of producer Steve Albini. It is among the numerous touches the group’s most famous song (one which was not even released as one in’88) has going for it:
One of the others, there is Kim Deal’s haunting, reverb-drenched backing vocals that all these indie-rock groups would move to ape, a cracked-voiced Black Francis spitting out cryptic-cool lyrics, and deceptively easy guide guitar and bass combo which nonetheless gives us goosebumps.
33. “Just a Friend” by Biz Markie
Hip-hop hit on its golden age in the’80s. Biz Markie was emblematic of the genre of giddy charms and the guy responsible for its final downfall as critics chose to peg rap because of a passing novelty; this large, lisping teddy bear from Long Island thumbed his nose in this stuck-up stupidity.
He recycled refuse from pop previous and excited the comedy, bold haters to withstand his charms. His documents were as many humor books and presentations of sampling because of pretentious works of art, making them even larger works of art.
Finally, he had the shit sued out of him, and hip-hop was permanently changed. However, a more considerable reduction in the Biz’itsse of self-deprecation. “Just A Friend” is the reverse of braggadocio.
34. “Under Pressure” by Queen & David Bowie
Oh, that ill-fated bassline. Ahead of Vanilla Ice beautifully ripped off, er, was motivated by the work of Queen bassist John Deacon, that subtle, infectious plucking heralded the assembly of two exceptionally influential rock icons.
Considering the titanic forces at work within this song, it is relatively understated. However, it will finally climb into the sparkling heights which both Bowie and Mercury occupied with such ease.
35. “West End Girls” by Pet Shop Boys
No’80s list could be complete with no British synth-popsters that the Pet Shop Boys. While the duo attained its best songs for karaoke, this 1985 ode into London road life was composed and recorded at New York, since the set recalls within our interview and fingernails with urban seediness (notice: T.S. Eliot’s The Wasteland partially inspires it). That is thanks in no small part to Neil Tennant’s coolly annunciated shipping, a hypnotic spin on the hip-hop flows of the age.